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ECSTATIC UNITY

Ensemble

Dorothy describes ecstatic unity as the state of “becoming one with the other” through erotic love. This concept of “ultimate union” and “ecstatic unity” originates from her exploration of “complete intimacy.” In Tibetan Buddhism, enlightenment is also referred to as “ecstatic unity.” Love becomes the inspiration for the work.

Items

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Follow me
Dorothy Iannone, Follow me, 1977. Other, ink, acrylic on wood, monitor, video converted to dvd, 185,5 x 382 x 65,5 cm (open).
A Cookbook (drawing of th...
Dorothy Iannone, A Cookbook (drawing of the cover), 2017. Drawing, framed dyptich, gouache and india ink on carboard, 37 x 56,2 x 3,4 cm.
Welcome To My Art
Dorothy Iannone, Welcome To My Art, 1983. Painting, framed gouache and ink on board mounted on wood, 100 x 84 cm.
The Queen Of The Amazons ...
Dorothy Iannone, The Queen Of The Amazons And Achilles, 2007. Print, silkscreen on paper, 55,9 x 65,2 cm.

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Dorothy Iannone
Dorothy Iannone has developed her artistic practice in paintings, artist’s books, video installations, sculptures, and sound works. In her vi

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.