M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

People, 1966-1967

Sculpture, 36 x 21 x 1,2 cm (each).

© Dorothy Iannone. Image: Air de Paris, Romainville

Collection: E. Righi Collection.

“When I first came to Germany in 1967, Hansjörg Meyer gave me an exhibition at his gallery in Stuttgart. In those days I had been making small wooden cutout figures of everyone I could think of, from all the world, from all times and places and ways of life. It has always been my pleasure to include in my innocent (aren't they innocent)  depictions of people the genitals – a pleasure for which I have had, amazingly but willingly, to pay dearly. The first day after the opening, the police came and confiscated the entire exhibition which, in addition to the cutout figures, also included highly detailed oil paintings in which one would have had to search indeed for an erotic element. The police then quietly invited several professors and critics of art to determine whether or not the work was pornographic. I learned later that all of the art judges, without exception, had declared that my work was not pornographic and that it belonged to an ancient tradition of art. And so, on the last day of the exhibition, the show was returned to Hansjörg Meyer and he, energetically and touchingly, put everything back on the walls for one more afternoon in Stuttgart. He told me later that some of the judiciary officials were among the visitors in the gallery that last day. Had the work been found pornographic, it would have been put into underground vaults for one hundred years, after which period it would have been returned to me.”

Dorothy Iannone, from Dorothy Iannone: Censorship And The Irrepressible Drive Toward Love and Divinity, 2014

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Media

>Dorothy Iannone, People,1966-67

>Dorothy Iannone, People, 1966-1968 (installation view, Dorothy Iannone – Love Is Forever, Isn’t It? October 5, 2023 – 21 January 2024, 2024, M HKA)

>Dorothy Iannone, People, 1966-1968 (installation view, Dorothy Iannone – Love Is Forever, Isn’t It? October 5, 2023 – 21 January 2024, 2024, M HKA)

>Dorothy Iannone, People, 1966-1968 (installation view, Dorothy Iannone – Love Is Forever, Isn’t It? October 5, 2023 – 21 January 2024, 2024, M HKA)

>Dorothy Iannone, People, 1966-1968 (installation view, Dorothy Iannone – Love Is Forever, Isn’t It? October 5, 2023 – 21 January 2024, 2024, M HKA)

>Dorothy Iannone, People, 1966-1968 (installation view, Dorothy Iannone – Love Is Forever, Isn’t It? October 5, 2023 – 21 January 2024, 2024, M HKA)

Artist

> Dorothy Iannone.

Exhibitions & Ensembles

> Exhibition: Dorothy Iannone — Love Is Forever, Isn’t It?. M HKA, Antwerpen, Leuvenstraat 32, 05 October 2023 - 21 January 2024.

No image

> Ensemble: THE CROWD.