M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

>SHILPA GUPTA

Blame, 2002-2004

Installation, 00:01:49, 300 x 130 x 340 cm.

image: © Evenbeeld, Courtesy Lekha and Anupam Poddar Collection

Collection: Courtesy Lekha and Anupam Poddar Collection.

[…] another work by Shilpa Gupta, Blame from 2002, aptly describes our current situation. In this interactive installation and performance, the artist distributed bottles with the labels of blame (with inscriptions such as ‘Blaming you makes me feel so good. So I blame you for what you cannot control. Your religion, your nationality. I want to blame you. It makes me feel good’) in the local trains of Mumbai and at other public spaces, such as shopping malls.

Mirza (Q.), “The Usual Suspect”, in Ed. Adajania (N.), Shilpa Gupta, Prestel Verlag, 2009, p.124.

Add to your list

Media

>Shilpa Gupta, Blame, 2002-2004

>The label for this work of art can be consulted here.

> Shilpa Gupta, Blame, 2002-2004

> Shilpa Gupta, Blame, 2002-2004

Artist

> SHILPA GUPTA.

Shilpa Gupta creates artworks that examine the place of subjectivity and human perception in relation to themes of desire, conflict, security, technology and

Exhibitions & Ensembles

> Exhibition: SHILPA GUPTA – Today Will End. , 21 May 2021 - 12 September 2021.

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