Deaf Ted, Danoota (and me), 2014-2021
Sculpture, Variabele installatie op sokkels, beelden: 120 × 180 × 130 cm, 130 × 90 × 60 cm, 160 × 80 × 80 cm.
Image: © We Document Art, Eigendom stad Antwerpen, in langdurige bruikleen in M HKA
Collection: Stad Antwerpen, in langdurige bruikleen in M HKA (Inv. no. SCA0010).
Naveau's ensemble Deaf Ted, Danoota (and me) was previously an eye-catcher in Luc Tuymans's exhibition Sanguine | Bloedrood, which was shown in the M HKA in the summer of 2018. The three busts seamlessly unite forms and iconography from the baroque with those of our contemporary society. Each image has its own story. The sculptures can be described as three-dimensional collages that want to be dissected layer by layer. In this set-up too, they ask the visitor to slow down and take the time to look for the many references.
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Media
>Nadia Naveau, Deaf Ted, Danoota (and me), 2014-2021
>John Lennon, In His Own Write, 1964, Deaf Ted, Danoota (and me), p.68
>Nadia Naveau talks about her work in the exhibition Lipstick and Gas Masks - The City Collection Antwerp.
Artist
> Nadia Naveau.
Nadia Naveau studies sculpture at the Koninklijke Academie and trains at the Higher Institute for Fine Arts,
Exhibitions & Ensembles
> Exhibition: Lipstick and Gas Masks – The City Collection Antwerp. M HKA, Antwerpen, 13 February 2021 - 18 April 2021.
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> Ensemble: An Architecture for Art - Nadia Naveau.
> Ensemble: The City Collection / De Stadscollectie / La collection municipale.
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> Ensemble: 2020.
Related Items
>Nadia Naveau, Figaro’s Triumph, 2014.Sculpture, plaster, 160 x 80 x 80 cm.
>Nadia Naveau, Deaf Ted, 2014.Sculpture, plaster, 130 x 80 x 70 cm.
>Nadia Naveau, Roi, je t'attends à Babylone, 2014.Sculpture, plaster, plasticine, 180 x 120 x 130 cm.