M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Conversation with Lenin (Post of an artist-autodidact), 2016

Installation

The installation is part of the MASPPRO activity, the Russian abbreviation for ‘The Studio of Applied Protest’. This activity is practical and rooted in everyday life, and at the same time is utopian, aimed at achieving a better future. MASPPRO specializes in creating mobile objects of resistance, training, and agitation in public space. These objects are often adapted for both housing and protest work combining therefore elements from private interiors and public spaces such as libraries, workers’ clubs, cinemas. The practice of MASPPRO is grounded in the experience of homeless people, refugees, migrants and combines the traditions of Russian constructivism with children’s games. A special attention is paid by the Studio to the search for alternative ways of public commemoration based on the principles of performativity, mobility, democracy in production and use.

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Media

>Haim Sokol - Conversation with Lenin (Post of an artist-autodidact), 2016.

>Haim Sokol - Conversation with Lenin (Post of an artist-autodidact), 2016 (sketch).

Artist

> Haim Sokol.

Exhibitions & Ensembles

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> Ensemble: Present Continuous V-A-C/M HKA.

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> Ensemble: 2016.