M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Northern Barbarians, part 1: Bride and Groom, 2000

Video, 00:11:00.

©image: the Artist & M HKA, Antwerp

Collection: Collection M HKA, Antwerp (Inv. no. S0439_1).

This video work (created in collaboration with Yuliya Tikhonova) is based on an old nomadic custom, as described in the notes of an English traveler who visited Central Asia during the 18th century. In depicting various nomadic customs and traditional relationships, the traveler himself did not pay any particular attention to marriage customs. The artist, however, having read these notes after 200 years, used them as unique material for the project at hand. According to an old Kazakh custom, the groom has to pay a ransom for the bride to her parents, the size of which is agreed upon in advance. The groom cannot take the bride from her parents’ house and arrange the wedding until he has paid this sum of money in full. After the agreement has been made, however, bride and groom have an opportunity to spend three nights together. The bride sleeps on a carpet in the yurt while the groom sleeps outside. They are separated by a kerege, a lattice in the entrance of the yurt.

Maybe it will let them see and touch each other, or even more? A video film is not an exact representation of the ancient custom, since the ancient nomadic kerege dividing the carpet (the engaged couple’s bed) was a line that strictly marked a marriage that was still to come. Then again, nobody really knows what actually used to happen when the bride in the yurt and the groom outside the wall of felt remained by themselves in the night of the vast steppe. This intrigue raises the possibility for various interpretations and meanings. The artist expresses his own understanding through the video film. And the audience finds itself in an active space, where desire is transformed into spreading, dominant energy.

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Media

>Video still 3 from the video Northern Barbarians part1: Bride and Groom by Rustam Khalfin and Yuliya Tikhonova.

>Video still 1 from the video Northern Barbarians part1: Bride and Groom by Rustam Khalfin and Yuliya Tikhonova.

>Video still 2 from the video Northern Barbarians part1: Bride and Groom by Rustam Khalfin and Yuliya Tikhonova.

Artist

> Rustam Khalfin.

Exhibitions & Ensembles

> Exhibition: The collection XXVII – East of 4°24'. M HKA, Antwerp, 03 March 2011 - 21 August 2011.

> Exhibition: LATT: Europe at Large #6 Rustam Khalfin & Almagul Menlibayeva. M HKA, Antwerpen, 16 July 2010 - 29 August 2010.

> Exhibition: Urgent Conversations Athens - Antwerp. National Museum of Contemporary Art, Athens (EMST), Athens, 31 October 2016 - 05 February 2017.

> Exhibition: Le Pont. Ville De Marseille, Marseille, 25 May 2013 - 20 October 2013.

> Ensemble: EUROPE AT LARGE.

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> Ensemble: M HKA_DEFAULT_WORKS.

> Ensemble: NUCLEUS.

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> Ensemble: Politics of Experience.

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> Ensemble: Northern Barbarians.

> Ensemble: CENTRAL ASIA.