LATT: New Art in Antwerp 1958-1962 #3 Creating Totally New Media
Actors (12)
-
Paul Van Hoeydonck
Paul Van Hoeydonck (1925, Belgium, lives in Antwerp) co-founded the G58 group in Antwerp, which organises a series of exhibitions at the Hess
-
Jean Tinguely
Jean Tinguely is pace-setter of the informal group of artists who commandeer the Hessenhuis in the spring of 1959. He is well apt for the ro
-
Günther Uecker
On his participation-sheet for Vision in Motion, Uecker calls his works ‘Objecte’. The monochrome white and yellow canvases on panel, and a w
-
Dieter Roth
Dieter Roth was a Swiss poet, sculptor, graphic designer and interdisciplinary contrarian who initially started in the tradition of the Roman
-
Pol Bury
Already in his early geometric abstract work, Bury was clearly no follower of orthodoxy. And when, from 1953, he begins experimenting with mo
-
Bart Stolle
The oeuvre of Bart Stolle includes rigorous animations, precisely composed paintings and an archive that serves as the basis for his installa
-
Daniel Spoerri
The Swiss visual artist, writer and publisher Daniel Spoerri was born in Romania as Daniel Isaac Feinstein and had a remarkable family histor
-
Robert Breer
Robert Breer was not only a sculptor; he gained fame as an experimental filmmaker as well. In fact he is best known for his film work, where
-
Heinz Mack
Beginning in 1958 Heinz Mack publishes, along with Otto Piene, the review Zero (three issues). Zero will also serve as the collective name w
-
Bruno Munari
The multi-facetted Italian artist and designer Bruno Munari exhibits together with the Futurists in the 1930s. He designs books and objects
-
Jesús Rafael Soto
The Venezuelan painter and sculptor Jesús Rafael Soto lives and works in Paris from 1959 onwards. He paints abstract canvases, and then star
-
Otto Piene
Otto Piene, with Heinz Mack, publishes the review Zero (three issues) starting in 1958. The name Zero was also chosen as a collective name w