M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: On Taking a Normal Situation and Retranslating it into Overlapping and Multiple Readings of Conditions Past and Present

MUHKA, Antwerpen

19 September 1993 - 28 November 1993

©Photo: M HKA

This international exhibition is devised by Yves Aupetitallot, Iwona Blazwick and Carolyn Christov-Bakargiev within the framework of ANTWERP 93. Its title is inspired by Gordon Matta Clark who made one of his final works in the city, and which in turn led to the foundation of M HKA. In some ways the subject of this exhibition is ‘the exhibition’. What it proposes, however, is a new relation between structure, location, context, artist and audience. All the participants have created works specially fort his event. Other cultural forces such as music, architecture, mass media, urban renovation, even gastronomy weave between the exhibition, the museum and the city. Projects by emerging artists are juxtaposed with the actions of a previous artistic community. An interplay is set up between the local and the international, margin and centre, communities and individuals. The 16 contemporary artists are not bound by generation, nationality or medium. Some use research (scientific, sociological, anthropological) to explore cultural politics and the world they live in. Others use metaphoric and narrative approaches to art-making, far from the rationalism of classical Western art. However certain key themes emerge: regarding the fragmentation and dynamics of communities; the invisible histories and exchanges that constitute cultural identities; and a rootedness in the everyday.

Artists:  Judith Barry, Zarina Bhimji, Sylvia Bossu, Patrick Corillon, Fausto Delle Chiaie, Mark Dion, Eugenio Dittborn, Jimmie Durham, Maria Eichhorn, Andrea Fraser, Renée Green, Bethan Huws, Ann Veronica Janssens, Laurie Parsons, Mathias Poledna, Luca Vitone, Jef Verheyen. 

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Media

>Exhibition view with the work of Mark Dion.

>Exhibition view with the work of Judith Barry.

>Fausto Delle Chiaie, Untitled, 1993

> Jef Verheyen, • 0133 • Blauwe Tondo, 1961-1962. Painting, canvas, Ø 52,5 cm, 68 x 68 with frame.

> Laurie Parsons, Without title, 1993. Mixed Media, binder, 30 x 21 cm.

> Andrea Fraser, Posters for Antwerpen '93 (from the series ‘On taking on a normal situation’), 1993. Poster, ink, paper.

> "Vertrekken vanuit een normale situatie..." / "On taking a normal situation...", 1993. Book, ink, paper, 21 x 14.5 cm, 18 volumes in cardboard box, language : Dutch, English, publisher : Antwerpen 1993 v.z.w./Museum van Hedendaagse Kunst, Antwerpen, ISBN : 90-74759-05-X.

> Eugenio Dittborn, The 15th History of the Human Face (The Children of Breughel), 1993. Installation, paper, ashes, cardboard, silkscreen, 140 x 210 cm.

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> Jimmie Durham, Gilgamesh and Me, 1993. Text.

> Jimmie Durham, Gilgamesh, 1993. Sculpture, wood, iron, pvc, axe, metal, 355 x 63 cm, 300 x 140 cm.