Ensemble: Tekenen / Drawing / Dessins / Zeichnen
To make his works on paper, Joseph Beuys used different materials, from more traditional ones such as pencil, pastel, oil and collage, to rather unconventional ones such as hare’s blood, beeswax, chalk and chocolate. In his drawings, many of Beuys' inspirations appear: mythology, Christian tradition, nature, literature, alchemy and anthropology. Common themes include animals, the shaman, revolution, social structures and the landscape. Often Beuys would use a colour he described as 'Braunkreuz', a matt brown oil paint used for painting floors. Over time, Beuys started to use more words and emblems in his drawings. Beuys' contacts with the Fluxus movement also had an influence on his drawings, taking on the form of a new genre: as being themselves the result of actions, but also as the score for a future action.
'My drawings make a kind of reservoir that I can get important impulses from. In other words they’re a kind of basic source material that I can draw from again and again.'
From: Heiner Bastian and Jeannot Simmen, Interview with Joseph Beuys in the catalogue of the exhibition Zeichnungen/Tekeningen/Drawings, Museum Boymans-van Beuningen, Rotterdam, Nationalgalerie Berlin, Kunsthalle Bielefeld, Wissenschaftszentrum Bonn (1979-1980), Rotterdam, 1970-80, p. 93-94.
Works

Schädel auf Urschlitten, 1954
Joseph Beuys
Drawing, pencil, watercolour, cardboard, 26 x 39.5 cm

Nein/Sicher, 1956-1866
Joseph Beuys
Drawing, pencil on paper, 28 x 41 cm

Demonstration für Lohaus, 1962
Joseph Beuys
Collage, pencil, oil colour, water colour, gold colour on paper, adhesive edges, paper, 22 x 15.4 cm

Zwei Fraulein mit leuchtenden Brot, 1966
Joseph Beuys
Object, cardboard, paper, chocolate with oil colour, 72 x 20 x 1.5 cm

Zelt und Lichstrahl, 1980
Joseph Beuys
Print, aquatint lithography;ink on paper, 20.5 x 14.5 cm / 32 x 24.5 cm

Untitled
Joseph Beuys
Drawing, pencil, paper, 20.9 x 14.5 cm