Objects
Ensemble
"Artists now work with what is called conceptual methods and supposedly don’t use objects. But you can’t not use objects. A TV monitor is an object, a wall with a projection on it is the wall with a projection on it—it’s very much an object. I still see the stretched canvas, and I like seeing the stretched canvas. I don’t see the painting in perspective; I don’t believe that it looks like reality, that its perspective copies nature. I don’t believe that it’s removed nature; I think it is paint on canvas with a certain trick called perspective that is just a little trick." [full text [here](http://ensembles.mhka.be/items/3194)]
Items
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The Dangers of Petrificat...
Jimmie Durham, The Dangers of Petrification II, 1998-2007. Installation, paper, stone, variable dimensions.
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Sea Shell Piece
Jimmie Durham, Sea Shell Piece, 2007. Mixed Media, mixed media sculpture with sea shell and sound: fuck you, 119 x 22 x 51 cm.
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Untitled
Jimmie Durham, Untitled, 1970. Sculpture, mahogony, glass marbles, 128 x 36 x 25 cm.
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Une machine désire de l'i...
Jimmie Durham, Une machine désire de l'instruction comme un jardin désire de la discipline, 1996. Installation, wood, cotton thread, print on paper, Variable dimensions.
Actors
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Jimmie Durham
Jimmie Durham was born in 1940 in (or, as he himself says, ‘under’) the state of Arkansas in the US, into a Cherokee family. After working di
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Maria Thereza Alves
Maria Thereza Alves was born in Brazil and moved to New York at a young age. She has worked for the International Indian Treaty Council in Ne
Ensembles
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Drawings, Display and oth...
This ensemble is a selection of Jimmie Durham’s works using two-dimensional support, including drawings, paintings, photographs and other art
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Installations and Public ...
In the list of works bellow you will find a selection of installations and works of Jimmie Durham made for public space.
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Jimmie Durham 1994 - 2012
Jimmie Durham moved to Europe in 1994 and has lived ever since in Brussels, Lisbon, Marseille, Rome and Berlin, where he is presently based (
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Performance, Video and Se...
"In general, there’s not much place for performance now. It looks like the sixties too much, it feels like the sixties did, it feels like it’
