COLLAPSE / INSTORTING / EFFRONDEMENT
Ensemble
A second alternative future is ‘Collapse’ from one cause or another (or their combination) and either to extinction or to a ‘lower’ stage of ‘development’ than currently. […] It should be emphasised that the ‘Collapse’ future is not and should not be portrayed as a ‘worst case scenario’. Many people welcome the end of the ‘economic rat-race’ and yearn for a simpler lifestyle. Moreover, in every ‘disaster’ there are ‘winners’ as well as ‘losers’. (Jim Dator, Alternative Futures at the Manoa School , 2009.)
The second of the ‘four futures’ could be the most titillating. Who doesn’t secretly like to witness disaster and collapse – at a safe distance, in an art museum? But rather than offering graphic representations of doomsday scenarios, this segment of the exhibition looks at the ‘before and after’ of collapse, with under-the-skin glimpses of the American psyche that seem to prefigure both 9/11 and Trumpism (Michel Auder), the calm spectacle of nature reclaiming a failed real estate investment in the tropics (Simryn Gill) or a reality where all that was ‘normal’ has evaporated (Center for Postnormal Policy & Futures Studies).
Items
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It's Hard To Be Down When...
Michel Auder, It's Hard To Be Down When You're Up, 1976-2007. Video, b/w video, sd, sound, 00:20:36.
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Polylogue
CENTRE FOR POSTNORMAL POLICY & FUTURES STUDIES , Polylogue, 2017. Installation, interactive board game, product design by effusion, london.
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My Own Private Angkor
Simryn Gill, My Own Private Angkor, 2007-2009. Print, 90 silver gelatin prints, 90 x (39.37 x 37.46 cm).
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Let Them Eat Potatoes
Simryn Gill, Let Them Eat Potatoes, 2015. Print, luis vuitton writing ink on hahnemuhle paper, 205 x (60.96 x 43.18 cm).
Actors
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CENTRE FOR POSTNORMAL POL...
Professor Ziauddin Sardar, born in Dipalpur, Pakistan, in 1951, works across a number of disciplines, from futures studies and Islamic studie
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Michel Auder
Since moving to New York in the 1960s and becoming part of the scene centred on Andy Warhol’s Factory, Michel Auder has been a ‘partial obser
