M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Carl Andre

1935 - 2024

Born in Quincy ().

[Carl Andre](http://www.carlandre.net) (1935, US, lives in New York) is an iconic representative of Minimal Art, a sculptor working with natural and industrially produced materials (timber, metal plates, bricks, hay bales) and showcasing them ‘as they are’, unadulterated and ‘merely’ arranged in strict visual formations on the floor. Andre makes us experience the properties of matter, form, structure and place. A direct sensation of presence is the core value of his art. He says: ‘My sculptures are the result of physical operations in the material world.’ Andre has exhibited in Europe, not least in Belgium and the Netherlands, since the mid-1960s. After a brief enrollment in Kenyon College, Gambier, Ohio, Andre earned enough money working at Boston Gear Works to travel to England and France in 1954. The following year, he joined United States Army Intelligence in North Carolina. In 1957 he settled in New York and worked as an editorial assistant for a publishing house. Shortly thereafter, he began executing wood sculptures influenced by Constantin Brancusi and by the black paintings of his friend Frank Stella. He was a leading member of the Minimalist movement, which coalesced during the early to mid-1960s. In addition to making sculpture, he also began to write poems in the tradition of Concrete Poetry, displaying the words on the page as if they were drawings. From 1960 to 1964, he was a freight brakeman and conductor for the Pennsylvania Railroad in New Jersey. Andre’s first solo show was held in 1965 at the Tibor de Nagy Gallery, New York. In the 1970s, the artist prepared numerous large-scale installations, such as Blocks and Stones in 1973 for the Portland Center for the Visual Arts, Oregon, and outdoor works, such as Stone Field Sculpture in 1977 in Hartford. He continues to emphasize material and spatial specificity. He lives and works in New York.

Works

>Carl Andre, Billy Builder, or the Painfull Machine: A Novel of Velocity, 1959.Book, ink, paper, 22.8 x 15 cm, 31 p, language: English, publisher: Tracks: A Journal of Artists' Writings. Chapters I-IV. In: Tracks 2:2, 1976. Chapters V-XI. In: Tracks 2:3, 1976. Chapters XII-XVI In: Tracks 3:1 and 2, 1977..

>Carl Andre, Palisade, 1976.Installation, wood, 13 x (90 x 90 x 30 cm).

Exhibitions & Ensembles

> Exhibition: Chris Reinecke - Haben Sie Zeit zum Lesen?. 14 May 2022 - 21 August 2022.

> Exhibition: LATT: Graphology Chapter 2 – Focus on Typography. 08 April 2011 - 12 June 2011.

> Exhibition: The collection XXIX – Spirits of Internationalism: 6 European Collections 1956-1986. 20 January 2012 - 29 April 2012.

> Ensemble: Het Essentiële [The Essential].

No image

> Ensemble: Huis A 37 90 89.

> Ensemble: The Artist's Novel.