M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Blow Job, 1997

Book, 19.7 x 12.7 cm, 264 p, language: English, publisher: Serpent's Tail, London, ISBN: N/A.

©M HKA

Collection: Collection M HKA, Antwerp (Inv. no. B 2024/853).

Literary synopsis 

As the leader of Class Justice Steve Drummond has the London anarchist scene "stitched up like a kipper", until "Swift" Nick Carter returns to the political fold. Then the anarchists take on the fascist fringe in a battle for the hearts and minds of disaffected youth. 

Relation of the novel to the artist’s practice 

Stewart Home’s notorious Apeman Performance (first acted out in the spring of 1997 at the San Georgio theatre in the city of Udine) is a memorised anti-theatrical recital of various texts by Home. This may be done by any of the performers, who may or may not be Home. The longest and final passage recited consists of a description of a skinhead being given a blow job while the boot boy recites from Abiezer Coppe’s A Fiery Flying Roll, an incident that is mimicked on stage. For this, the performer should be partially screened, so that it is unclear whether or not he is getting a blow job from an assistant. Prior to this ‘climax’ the audience will be informed that ‘Home’ is to recite for as long as possible against the distraction of oral sex. At the end of the recital, which may or may not be successfully completed, the performer will ‘reveal’ that rather than being Stewart Home, he is actually Luther Blissett.

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> Stewart Home.

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