M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Toiset Kengät (Antero-Trilogia), 2007

Book, 17.8 x 10.9 cm cm, 367 p, language: Finnish, publisher: Otava - Helsingissä Kustannusosakeyhtiö, Helsinki, ISBN : 978-951-1-22639-0.

Collection: Collection M HKA, Antwerp (Inv. no. B 2030/182).

Literary synopsis

In Toiset Kengät (The Other Shoes), teenage wannabe artist Antero manages to escape his grey northern hometown of Oulu; he is heading for the eastern Finnish town of Savonlinna, where he will go to art college. Triumphantly Antero dyes his blond hair black in the bus station toilet. Redolent with 1960s nostalgia, this is a sensual description of Antero’s steps to adulthood, and a welcome follow-up to the writer’s acclaimed autobiographical first novel Pieces of Crispbread. Antero’s family moves from the barracks to a house on a perfectly ordinary street. Antero dreams of suede shoes and hipsters, experiences his first distant unrequited love affairs and attacks of angst at situations where he is expected to behave like a man. Out of a motley collection of experiences and whirling emotions he also begins to see his real vocation taking shape: Antero applies and is accepted into arts school, and turns his back on his home town.

Relation of the novel to the artist’s practice

"In my paintings, I’m using more and more unmixed colors – that is, colors straight from the tube. It feels as if, after writing – which I always experience as black-and-white – I need to paint in pure primary colours. What a lot a large yellow surface can say! (…) The basic difference between writing about colours and painting with them is, I suppose, that in painting a colour refers only to itself, without references. Within sentences, a colour, however, is accurately described, appears like a symbol, within the framework of the agreements of language."

Hannu Väisänen

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> Hannu Väisänen.

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> Ensemble: The Artist's Novel.