M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Penetrant, 1995

Painting, 180 x 120 cm.

©image: M HKA

Collection: Collection M HKA, Antwerp (Inv. no. BK6961_E).

Raoul De Keyser starts to paint in 1963 under the influence of his teacher Roger Raveel. At first, his subjects are concrete everyday objects and items from his immediate surroundings, set down markedly simplified on canvas. His work takes a more abstract bend in the 1970's. A concrete element remains present, but the representation is less recognizable and makes way for color planes with linear elements. In the decades of the Eighties and Nineties, figuration more-and-more disappears in the sobriety of paint-layers.

The work Penetrant dates from the 1990's.  By this time the painter had already for some years been delving into the notion of painting itself, and the possibilities of materials in this context.  Here, creativity emerges from out of practical confrontations with the material means of the medium itself.  For the painter, each work comprises research into the support, the paint type and the texture.  The painter seems to be testing colors, materials, forms and brushstrokes in mutual relationship, or not, in terms of their spatial potentialities.  It appears that it is not so much pure tones that interest him, but rather the lengthy process of 'disguise', with revelation achieved utterly slowly and bit-by-bit. 

The work's title, Penetrant, refers to a liquid that is added to a material in order to achieve a cover-layer, so that it may better impregnate the surface.  In this piece the artist so investigates the character of the covering layer.  

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Artist

> Raoul De Keyser.

Exhibitions & Ensembles

> Exhibition: THE GAP – Abstract Art from Belgium. A Selection. Curator: Luc Tuymans. M HKA , Antwerp, 30 January 2016 - 29 May 2016.

> Exhibition: EXTRA MUROS: Visite Bornem - Gedeelde Ruimte. CC Ter Dilft, Bornem, 03 May 2014 - 25 May 2014.

> Ensemble: NUCLEUS.

> Ensemble: Collectie Vlaamse Gemeenschap.

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> Ensemble: M HKA_DEFAULT_WORKS.