M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Orthodox Chic, 2020

Artist Book, 165x190mm, 136 pages.

©The authors and  Osnovy Publishing

Collection: Collection M HKA / library.

ORTHODOX CHIC by Alex Bykov, Oleksandr Burlaka, Sasha Kurmaz
ISBN: 9789665008545
Published by Osnovy Publishing LLC 

Orthodox Chic is the second book in a series of visual explorations of architecture and urban space in independent Ukraine. The authors of Orthodox Chic, architects Alex Bykov and Oleksandr Burlaka, alongside artist Sasha Kurmaz, turn to photographing post-Soviet religious architecture as a way of capturing its social, political and economic development. The book portrays new forms of religious architecture, from kiosks, shacks, pop-up chapels attached to giant shopping malls, apartment blocks and magnificent new cathedrals.
The authors work with several themes: the crisis that architecture faces as a professional discipline; developer strategies, whereby religion is used to manipulate and control land resources; and the status of religion of today. Nowadays, with the great increase of supposedly numinous places, authors question not only their authenticity but the possibility of an authentic religious experience. By looking closely at the place and its form, they draw attention to the fact that these sacred places do not fit within a symbolic hierarchy or system: they are fakes, both in body and in spirit. The manipulation of religion for appropriating and commercialising public space -- another one of the books main themes -- is evident in the small details. It seems as though the archaic institution of the Church fits into modern economic, technopolitical and visual paradigms. Surveillance cameras hang under the little roofs of church stalls which appear in favourable sites for large-scale construction, high-end cars parked nearby. Developers have another predatory strategy, whereby investors install small buildings with a cupola on them in the guise of a church or other religious building in public spaces in an attempt to clear these areas for further development.

The author of the introductory text is Asya Bazdyreva, art critic and co-author of research practice at Geocinema.

 

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Artist

> Oleksandr Burlaka / Олександр Бурлака.

Oleksandr Burlaka: urban photography

Exhibitions & Ensembles

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> Ensemble: In Solidarity with Ukraine.