{"id":34143,"title":"Piano / A Story of  Ajaxander","dimensions":"variable dimensions","date_begin":"1989-01-01","material":"acrylic and ink, with integrated Text: Courting Ajaxander ","art_status_id":13,"legal_status_id":84,"category_id":58,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Collection Francesco Gonz, Verona","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":49,"permalink":"piano-7a1e1b22-f9e0-443f-a29f-1994330dd1a9","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/654/medium_500/piano.jpeg?1680623741","cached_actor_names":"Dorothy Iannone","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;I did write \u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=35021\u0026amp;subensemble=2457\"\u003eCourting Ajaxander\u003c/a\u003e in 1983 as pure text. It was eventually published in a cassette with books by Emmett Williams and William Copley, on the occasion of our exhibition at Haus am Lutzow Platz in Berlin. Before then, I had copied that entire short story onto a piano I was making for Francesco Conz in Verona, who had also commissioned pianos from Joseph Beuys, Ben Vautier, and other Fluxus artists. Courting Ajaxander, by the way, contains the only extended explicitly erotic passages I have ever written. Although completely direct, their effect, I have been told, is not in the least obscene.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u0026nbsp;\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, from \u003ca href=\"https://peresprojects.com/usr/documents/press/download_url/548/di-paris-la-dalton-4-s10-original-.pdf\"\u003eTrinie Dalton, \u003cem\u003eI\u0026rsquo;m still Game: Dorothy Iannone\u003c/em\u003e, Paris, LA, Issue 4, Summer 2010\u003c/a\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp style=\"text-align:justify\"\u003e\u003cspan style=\"color:#990000\"\u003e\u0026#39;Ik heb \u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=35021\u0026amp;subensemble=2457\"\u003eCourting Ajaxander\u003c/a\u003e in 1983 geschreven als pure tekst. Hij werd uiteindelijk gepubliceerd in een cassette met boeken van Emmett Williams en William Copley, ter gelegenheid van onze tentoonstelling in Haus am \u0026nbsp;L\u0026uuml;tzowplatz in Berlijn. Daarvoor nog had ik dat hele kortverhaal gekopieerd op een piano die ik aan het maken was voor Francesco Conz in Verona, die ook piano\u0026#39;s had besteld bij Joseph Beuys, Ben Vautier en andere Fluxus-kunstenaars. Courting Ajaxander bevat trouwens de enige uitgebreide expliciet erotische passages die ik ooit heb geschreven. Hoewel compleet direct, is hun effect, zo werd me verteld, niet in het minst obsceen.\u0026#39;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003e\u0026nbsp;Dorothy Iannone, uit\u0026nbsp;\u003ca href=\"https://peresprojects.com/usr/documents/press/download_url/548/di-paris-la-dalton-4-s10-original-.pdf\"\u003eTrinie Dalton, \u003cem\u003eI\u0026rsquo;m still Game: Dorothy Iannone\u003c/em\u003e, Paris, LA, Issue 4, Summer 2010\u003c/a\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;J\u0026rsquo;ai \u0026eacute;crit \u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=35021\u0026amp;subensemble=2457\"\u003eCourting Ajaxander\u003c/a\u003e en 1983, en tant que texte pur. Il a finalement \u0026eacute;t\u0026eacute; publi\u0026eacute; dans un \u0026eacute;tui contenant des livres d\u0026rsquo;Emmett Williams et de William Copley, \u0026eacute;dit\u0026eacute; \u0026agrave; l\u0026rsquo;occasion de notre exposition \u0026agrave; la Haus am Lutzow Platz \u0026agrave; Berlin. Avant cela, j\u0026rsquo;avais copi\u0026eacute; l\u0026rsquo;int\u0026eacute;gralit\u0026eacute; de cette nouvelle sur un piano que je fabriquais pour Francesco Conz \u0026agrave; V\u0026eacute;rone. Ce dernier avait \u0026eacute;galement command\u0026eacute; des pianos \u0026agrave; Joseph Beuys, \u0026agrave; Ben Vautier et \u0026agrave; d\u0026rsquo;autres artistes Fluxus. Courting Ajaxander contient d\u0026rsquo;ailleurs les seuls longs passages explicitement \u0026eacute;rotiques que j\u0026rsquo;aie jamais \u0026eacute;crits. Bien qu\u0026rsquo;ils soient tout \u0026agrave; fait directs, leur effet, m\u0026rsquo;a-t-on dit, n\u0026rsquo;est pas le moins du monde obsc\u0026egrave;ne.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, extrait de\u0026nbsp;\u003ca href=\"https://peresprojects.com/usr/documents/press/download_url/548/di-paris-la-dalton-4-s10-original-.pdf\"\u003eTrinie Dalton, \u003cem\u003eI\u0026rsquo;m still Game: Dorothy Iannone\u003c/em\u003e, Paris, LA, Issue 4, Summer 2010\u003c/a\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4684,"name":"Dorothy Iannone"}]}