{"id":34082,"title":"People","dimensions":"36 x 21 x 1,2 cm (each)","date_begin":"1966-01-01","material":"","art_status_id":13,"legal_status_id":84,"category_id":24,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"E. Righi Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e33 \u0026eacute;l\u0026eacute;ments, point feutre sur papier contrecoll\u0026eacute; sur bois\u003c/p\u003e\r\n","date_end":"1967-01-01","reference":"","stream_count_app":48,"permalink":"people-fb9460c4-baf6-470e-92f3-25764fb50dc1","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/431/medium_500/di_people_catKWien.jpg?1679069342","cached_actor_names":"Dorothy Iannone","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Sculpture","nl":"Sculptuur","fr":"Sculpture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/431/large/di_people_catKWien.jpg?1679069342","poster_credits":"© Dorothy Iannone. Image: Air de Paris, Romainville","translations":[{"locale":"en","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;When I first came to Germany in 1967, Hansj\u0026ouml;rg Meyer gave me an exhibition at his gallery in Stuttgart. In those days I had been making small wooden cutout figures of everyone I could think of, from all the world, from all times and places and ways of life. It has always been my pleasure to include in my innocent (aren\u0026#39;t they innocent)\u0026nbsp; depictions of people the genitals \u0026ndash; a pleasure for which I have had, amazingly but willingly, to pay dearly. The first day after the opening, the police came and confiscated the entire exhibition which, in addition to the cutout figures, also included highly detailed oil paintings in which one would have had to search indeed for an erotic element. The police then quietly invited several professors and critics of art to determine whether or not the work was pornographic. I learned later that all of the art judges, without exception, had declared that my work was not pornographic and that it belonged to an ancient tradition of art. And so, on the last day of the exhibition, the show was returned to Hansj\u0026ouml;rg Meyer and he, energetically and touchingly, put everything back on the walls for one more afternoon in Stuttgart. He told me later that some of the judiciary officials were among the visitors in the gallery that last day. Had the work been found pornographic, it would have been put into underground vaults for one hundred years, after which period it would have been returned to me.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, from\u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=34924\u0026amp;locale=en\u0026amp;subensemble=2457\"\u003e\u003cem\u003e Dorothy Iannone: Censorship And The Irrepressible Drive Toward Love and Divinity\u003c/em\u003e\u003c/a\u003e, 2014\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp style=\"text-align:justify\"\u003e\u003cspan style=\"color:#990000\"\u003e\u0026#39;Toen ik in 1967 voor het eerst naar Duitsland kwam, bood Hansj\u0026ouml;rg Meyer me een tentoonstelling aan in zijn galerie in Stuttgart. In die tijd had ik kleine uitgesneden houten figuren gemaakt van iedereen die ik maar kon bedenken, van over de hele wereld, van alle tijden en plaatsen en levenswijzen. Ik heb er altijd plezier aan beleefd om in mijn onschuldige (zijn ze niet onschuldig?) afbeeldingen van mensen de geslachtsdelen op te nemen \u0026ndash; een plezier waarvoor ik, wat me verbaasde maar ik gewillig deed, een hoge prijs heb moeten betalen. De eerste dag na de opening kwam de politie en nam de hele tentoonstelling in beslag, die naast de uitgesneden figuren ook zeer gedetailleerde olieverfschilderijen bevatte waarin men inderdaad op zoek moest naar een erotisch element. De politie nodigde vervolgens stilletjes verschillende professoren en kunstcritici uit om te bepalen of het werk al dan niet pornografisch was. Later vernam ik dat alle kunstrechters, zonder uitzondering, hadden verklaard dat mijn werk niet pornografisch was en tot een oude kunsttraditie behoorde. En dus kreeg Hansj\u0026ouml;rg Meyer de expo op de laatste dag van de tentoonstelling terug en hij hing alles energiek en ontroerend opnieuw aan op de muren, voor nog \u0026eacute;\u0026eacute;n namiddag in Stuttgart. Hij vertelde me later dat er die laatste dag enkele ambtenaren van de rechterlijke macht onder de galeriebezoekers waren. Als het werk pornografisch was bevonden, zou het voor honderd jaar in ondergrondse kluizen zijn opgeborgen, waarna het aan mij zou zijn teruggegeven.\u0026#39;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, uit\u0026nbsp;\u003cem\u003e\u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=34924\u0026amp;locale=nl\u0026amp;subensemble=2457\"\u003eDorothy Iannone: Censorship And The Irrepressible Drive Toward Love and Divinity\u003c/a\u003e\u003c/em\u003e, 2014\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;Lorsque je suis arriv\u0026eacute;e en Allemagne, en 1967, Hansj\u0026ouml;rg Meyer m\u0026rsquo;a propos\u0026eacute; une exposition dans sa galerie \u0026agrave; Stuttgart. \u0026Agrave; l\u0026rsquo;\u0026eacute;poque, je fabriquais de petites figurines en bois repr\u0026eacute;sentant toutes les personnes auxquelles je pouvais penser, du monde entier, de toutes les \u0026eacute;poques, de tous les lieux et de tous les modes de vie. J\u0026rsquo;ai toujours pris plaisir \u0026agrave; inclure des organes g\u0026eacute;nitaux dans mes repr\u0026eacute;sentations innocentes (ne sont-elles pas innocentes ?)\u0026mdash; un plaisir cher pay\u0026eacute;, \u0026eacute;tonnamment, mais r\u0026eacute;solument. Le lendemain du vernissage, la police est venue confisquer l\u0026rsquo;exposition tout enti\u0026egrave;re, qui, outre les personnages d\u0026eacute;coup\u0026eacute;s, comprenait \u0026eacute;galement des peintures \u0026agrave; l\u0026rsquo;huile tr\u0026egrave;s d\u0026eacute;taill\u0026eacute;es dans lesquelles il fallait chercher un \u0026eacute;l\u0026eacute;ment \u0026eacute;rotique. La police a ensuite discr\u0026egrave;tement invit\u0026eacute; plusieurs professeurs et critiques d\u0026rsquo;art \u0026agrave; d\u0026eacute;terminer si l\u0026rsquo;\u0026oelig;uvre \u0026eacute;tait pornographique ou ne l\u0026rsquo;\u0026eacute;tait pas. J\u0026rsquo;ai appris plus tard que tous les juges artistiques, sans exception, avaient d\u0026eacute;clar\u0026eacute; que mon \u0026oelig;uvre n\u0026rsquo;\u0026eacute;tait pas pornographique et qu\u0026rsquo;elle appartenait \u0026agrave; une tradition artistique ancienne. Ainsi, le dernier jour de l\u0026rsquo;exposition, l\u0026rsquo;ensemble des \u0026oelig;uvres fut rendu \u0026agrave; Hansj\u0026ouml;rg Meyer qui, avec \u0026eacute;nergie et \u0026eacute;motion, a tout remis en place sur les murs pour un apr\u0026egrave;s-midi suppl\u0026eacute;mentaire \u0026agrave; Stuttgart. Par la suite, il m\u0026rsquo;a racont\u0026eacute; que certains repr\u0026eacute;sentants du pouvoir judiciaire figuraient parmi les visiteurs de la galerie ce dernier jour. Si l\u0026rsquo;\u0026oelig;uvre avait \u0026eacute;t\u0026eacute; jug\u0026eacute;e pornographique, elle aurait \u0026eacute;t\u0026eacute; plac\u0026eacute;e sous les vo\u0026ucirc;tes d\u0026rsquo;une chambre forte souterraine pour cent ans, apr\u0026egrave;s quoi elle m\u0026rsquo;aurait \u0026eacute;t\u0026eacute; restitu\u0026eacute;e.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cem\u003e\u003ca href=\"http://dorothyiannone.ensembles.org/ensembles/dorothy-iannone-books?item=34924\u0026amp;locale=fr\u0026amp;subensemble=2457\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone: Censorship and the Irrepressible Drive Toward Love and Divinity, 2014\u003c/span\u003e\u003c/a\u003e\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4684,"name":"Dorothy Iannone"}]}