M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Revolution and Nationalities (Революция и Национальности), no. 1, 2, 3, 4, 7, 8-9, 1933, 1933

Periodical

© scan: M HKA

Collection: Collection MHKA, Antwerp.

Revolution and Nationalities was the leading magazine dedicated to Soviet national politics from 1930 to 1937. It covered a wide range of topics, from international agreements to the everyday life, customs and culture of the Soviet republics. The culture of nationalities, which was developing in the USSR under the concept of “national in form and socialist in content”, was considered as the main weapon in the struggle against antagonism among the individual Soviet nations. The vagueness of the concept allowed the Soviet government to concurrently implement such policies as the Latinisation of Islam-based cultures, in parallel with campaigns against ‘Great-Russian chauvinism’ aimed to support minorities and promote local languages at work and in schools. In the arts, the policy took even more peculiar forms. For instance, editors and contributors to Revolution and Nationalities consistently emphasised the importance of comprehensive assimilation between the national literature in the different republics. In order to create a united Soviet culture, writers were urged to overcome “national narrow-mindedness”, which included any form of idealisation of their native land, nature and peasant life. Following the Great Purge, Soviet national politics had shifted dramatically by the end of the 1930s, and the policy of indigenisation was abandoned in favour of a reversal to Russification.

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Media

>Revolution and Nationalities (Революция и Национальности), no. 1, 1933

>Revolution and Nationalities (Революция и Национальности), no. 2, 1933

>Revolution and Nationalities (Революция и Национальности), no. 4, 1933

>Revolution and Nationalities (Революция и Национальности), no. 7, 1933

>Revolution and Nationalities (Революция и Национальности), no. 8-9, 1933

Artist

Exhibitions & Ensembles

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> Ensemble: MONOCULTURE – Soviet National Politics.

> Ensemble: MONOCULTURE – ARTEFACTS.

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> Ensemble: SOVIET UNION.