M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Tsumeb Fragments, 2015

Installation, Variable.

Collection: M HKA, Antwerp (Inv. no. BK008228).

Tsumeb Fragments was produced in 2015 for the exhibition at Kadist, Comot Your Eyes Make I Borrow You Mine (in Nigerian Pidgin English this translates to “Take your eyes away, I’ll lend you mine”). In spring 2015, Nkanga travelled to Namibia, making her way along an almost entirely defunct railway line from Swakopmund to Tsumeb. The artist was intent on reaching The Green Hill in Tsumeb, an area renowned for its minerals, crystals and copper deposits. This hill had been hand-mined by the Ovambo for generations, who took solely what they needed. However, when Namibia became German South West Africa, the colonial regime began to mine The Green Hill industrially, extracting and exporting tones of minerals each year. What Nkanga encountered in Tsumeb was no longer a hill or an active mine, but a dormant hole in the ground. The installation Tsumeb Fragments is born from Nkanga sifting through her memories of Namibia, and the vast amount of material she generated and collected in an attempt to formalize intuitively felt and invisible connections. The modular structure of the tables enables the reconfiguration of the fragments. The mine and its history are presented in their many faces: the image of a monumental hole in the landscape to which the artist dedicates a performance, fragments of stones and debris, archival images collected from the local museum, and the fascinating vision of a floating cluster of copper. The arrangement of the installation challenges the traditional modes of presentation of research-based practices.

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Artist

> Otobong Nkanga.

Exhibitions & Ensembles

> Exhibition: ENCLOSED. Teseum, Tongeren, 21 May 2021 - 03 October 2021.