M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Jack Smith

Untitled (thoughts/sayings)

Drawing, 11.1 x 7 cm.

Collection: Courtesy of Gladstone Gallery, New York/Brussels.

Jack Smith (1932-1989) was an American filmmaker, actor and underground cinema pioneer. Widely acclaimed as the founder of American performance art, he also made photographs, though these works are rare and remain largely unknown.

His practice coincides with the 50 year overview M HKA conceived. Smith was a forerunner of various art movements that would be developed in the second half of 20th century. Without him, a phenomenon like camp or the experimental theatre genre would be unthinkable, and he can also be seen as an influence on the pop art and punk movements. In addition to his contribution to performance art and experimental film, Smith had a big influence on someone like Andy Warhol, who 'borrowed' and commercialised the 'Superstars' and 'Factory' ideas from Jack Smith. The point bra that we associate with Jean Paul Gaultier and Madonna is also the fruit of Jack Smith's imagination. Artists such as Robert Wilson, Cindy Sherman, John Waters and Mike Kelley acknowledge Jack Smith's influence on their work.

Smith was an artist far ahead of his time, whose ideas were capitalised on by other artists. He was well aware of this, and the frustration about it eventually led to a total rejection of the art world. He called its representatives, gallerists, critics, and collectors lobsters – a metaphor for all the figures who destroy art and the world.

Jack Smith will remain forever linked to his film Flaming Creatures that, when it came out in 1963, was instantly banned in the United States because of its 'obscene' content. The film featured here, The Yellow Sequence – considered a coda to 1963's Normal Love, the sequel to Flaming Creatures – is rarely shown. All the Jack Smith ingredients are present in The Yellow Sequence, such as his typical use of colour and music that support the plotless structure of the film and the grotesque characters – often transvestites – that evoke an alienating and surrealistic world in brilliant image compositions.

Jack Smith died on September 25, 1989 from the consequences of AIDS.

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Exhibitions & Ensembles

> Exhibition: TOGETHER.. M HKA, Antwerpen, 06 August 2020 - 06 September 2020.