Sculpture
©Els Dietvorst Archief, scan: M HKA, 2019
Collection: Courtesy of the Artist .
Sculpture is beside drawing, writing and video an important medium in my artpractice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance.
The first sculpture (SKULL1-1999) was a huge skull, made of wood and loam, build in my studio in Brasschaat (Antwerp) which was on that time in the middle of a military base.
The form of every skull is based on the skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals. They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to 'us' the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin.The Skull-sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.
Els Dietvorst
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>wenskaart Cera Foundation
> Els Dietvorst.
> Exhibition: Els Dietvorst - Driftwood. Panache Towers, Antwerpen, 16 January 2016 - 26 February 2016.
> Exhibition: Els Dietvorst – Maquette: Skull 3. M HKA, Antwerpen, 23 May 2008 - 14 September 2008.
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> Ensemble: LOAM SCULPTURES [LEMEN BEELDEN].
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> Ensemble: SKULL series.
>Els Dietvorst, Skull 2, 2008.Installation, metal, wood, loam, pigeons.
>Els Dietvorst, Lifted Skull. Proposal for Skull4..Drawing, ink on paper.
>Els Dietvorst, E.D., 2004.Book, ink on paper, 24.2 x 18.7 cm.
>Els Dietvorst, Skull 3, 2015.Sculpture, wood, loam.