M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Tamam Shud, 2018

Artist Novel, 18.7 x 11.7 cm, 268 p, language: English, publisher: Berlin: Sternberg Press, ISBN: 9783956793981.

Jakub de Barbaro, Alex Cecchetti

Collection: Collection M HKA, Antwerp (Inv. no. B 2029/520).

Literary synopsis

Tamam Shud is the post-mortem investigation of the victim into his own assassination. The only clue—found in a secret pocket sewn inside his trousers—that detectives have recovered is a fragile piece of paper torn from the pages of a book with the words Tamam Shud, 'this is the end,' written on it. Experts, antiquarians, and opium smokers have been consulted. These are the last two words in the Rubaiyat, an ancient collection of esoteric poems written by a Persian poet named Omar Khayyam.

Relation of the novel to the artist’s practice

Throughout an art project that spanned over two years, during which the writing process and the artistic process intertwined, feeding each other as they evolved, a narrative was created that altered the meaning of the artworks while at the same time dictating the contents of the artist’s novel. Tamam Shud has emerged through a series of episodic performances and an exhibition featuring guided tours, seminars on poetry, synesthesia piano concerts, tarot readings, and dances on river stones. All of it sprinkled with mystery, humour, literary references, and biographical tidbits. As if the only way to understand death was through an inquiry into life, what arises when reading Tamam Shud is not the account of an individual life, but rather a reflection on the phenomenon of existence. The publication of Tamam Shud is occasioned by the project The Novel As Fantasy at the Ujazdowski Castle Centre for Contemporary Art, Warsaw (2016–17), curated by The Book Lovers.

Novel's website

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Media

>

>Episode 1, When Everything Is So Clean it Is Difficult to Remember Something, CCA Warsaw, 13 May 2016.

>Episode 1, When Everything Is So Clean it Is Difficult to Remember Something, CCA Warsaw, 13 May 2016.

>Episode 2, Belladonna, Cité des Arts, Paris, 21 July 2016.

>Episode 3, Nuovo Mondo: Tour Guide of Heaven and Hell, Xawery Dunikowski Museum of Sculpture in Warsaw, October 2016.

>Episode 3, Nuovo Mondo: Tour Guide of Heaven and Hell, Xawery Dunikowski Museum of Sculpture in Warsaw, October 2016.

>Episode 4, Reading the Unwritten, CCA Warsaw, April 2017.

>Episode 5, Walking Backwards, University of Warsaw Botanic Garden, June 2017.

>Tamam Shud exhibition, CCA Warsaw, September 2017.

>Tamam Shud exhibition, CCA Warsaw, September 2017.

>Tamam Shud exhibition, CCA Warsaw, September 2017.

>Tamam Shud exhibition, CCA Warsaw, September 2017.

Artist

> Alex Cecchetti.

Exhibitions & Ensembles

> Ensemble: The Artist's Novel.