M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

La cédille qui sourit, 1969

Mixed Media, 27 x 70 cm.

©image: M HKA

Collection: Collection Musée d'Art Contemporain, Saint-Etienne (Inv. no. 92.5.53).

The force that drives Filliou’s work and thought is Permanent Creation. He helps to establish various Centres of Permanent Creation, such as the Poïpoïdrome and the Smiling Cedilla. As an alternative to the notion of the avant-garde, he proposes the Eternal Network, also known as ‘La fête permanente’.

Excerpt of the conversation between Robert Filliou (RF) and Irmeline Lebeer (IL), Flayosc, France, August 1976.

RF: ‘“The Smiling Cedilla” was a non-shop, because it was only open on demand. This Centre of Permanent Creation, by George Brecht, Marianne Staffeldt, Donna Brewer and myself, opened in Villefranche-sur-Mer in 1965 and lasted three years. Our activities were multiple. They were summarised in the book Games at the Cedilla, or The Cedilla Takes Off. Something Else Press, New York, 1967. When the Smiling Cedilla closed its doors, it announced the birth of the “Eternal Network”, La Fête permanente. See those terms.’

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Artist

> Robert Filliou.

Exhibitions & Ensembles

> Exhibition: Robert Filliou – The Secret of Permanent Creation. M HKA, Antwerpen, 13 October 2016 - 22 January 2017.

Related Items

>George Brecht, Robert Filliou, La Cédille qui sourit : offerings inattendus, 1967.Poster, ink, paper, 74 × 33 cm.

>Robert Filliou, Eternal Network, 1961-1973.Mixed Media, paper labels on chipboard, 11.9 x 110 cm.

>Robert Filliou, Création Permanente, 1969.Mixed Media, wood, playing cards, b/w photograph, 79 x 53 x 2 cm.

>Jean-Pierre Walfard, George Brecht, Robert Filliou, Non-école de Villefranche, 1965.Mixed Media, letterhead, print on paper, 26.9 × 21 cm.

>George Brecht, Robert Filliou, La Cédille qui sourit, 1969.Multiple, enlarged matchbox containing real matchbox, 16.3 × 20.6 × 2 cm.

>George Brecht, Robert Filliou, Banqueroute, 1968.Article, poster , 49.8 × 32.2 cm.