“At the time I made photographs, but I refused to photograph what was in front of me, what is out there. What interested me was to change in
FLUID BODY The fluidity of the body emerged as a notion after we saw the works by Vlad Monroe, Hugo Roelandt and Eleni Mylonas. The b
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
No description.