Middle Gate
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Sollte Steigen
Paul Klee, Sollte Steigen, 1932. Painting, oil, watercolour, canvas.
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Traîté du Caractère
Anne-Mie Van Kerckhoven / AMVK, Traîté du Caractère, 1993. Mixed Media, fabric, paint.
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Landscape
Taus Makhacheva, Landscape, 2013. Installation, series of wooden objects, carved by kazbek alikhov.
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Eilanden
Philippe Van Snick, Eilanden, 2016. Installation.
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Philippe Van Snick
Philippe Van Snick (1946 - 2019) makes work that is characterised by an extremely simple visual language, akin to minimalism, and the repeate
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Jan Cox
The painter and graphic artist Jan Cox (1919-1980) studies history and archaeology in Ghent. In 1945, he co-founds the Jeune Peinture Belge g
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Róza El-Hassan
Róza El-Hassan (°1966) is born in Budapest, where she still lives today. After studying painting at the Academy for Fine Arts in Budapest, sh
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Jan De Lauré
Jan De Lauré (°1978, Hasselt, BE) bases his paintings on images sourced from the media; in his own words: they are images that are impossible
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SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
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GEWELD | VIOLENCE
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
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WAANZIN | MADNESS
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
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MIGRATIE | MIGRATION
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will