M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: INBOX: Wout Vercammen – A well-considered idea of an exhibition in 3 parts. Aflevering 3: Postdadaïstisch en ander werk dat niet past in Aflevering 2 tot heden

M HKA, Antwerpen

19 February 2015 - 15 March 2015

This winter M HKA highlights the work of Wout Vercammen with A well-considered idea of an exhibition in 3 parts, which will be presented as a three-part exhibition.

Wout Vecammen’s (1938) time was marked by a never-ending sequence of revolutions in the art field. The young artist was shaped by what he found in his father’s bookshop, specializing in art and politics. During his schooling as a typographer John Trouillard (one of his teachers) introduced him to the rising trends in contemporary art.

From the 1950s onward, Vercammen exhibited in galleries in Antwerp, but also in Germany, Switzerland and Italy. During the 1960s Vercammen’s focus shifted to happenings, together with Panamarenko, Hugo Heyrman, Bernd Lohaus and Jacques Charlier. At the end of the 1960s Vercammen’s imagery found its own unmistakable final form: givens such as his Belgian identity, a ‘coincidence’ which Vercammen elevated to readymade or his choice to use the square meter as a standard of measurement, which can be interpreted along the same line.

At the end of the 1970s Wout Vercammen’s uncompromising approach was quite different from what was taking place in the Antwerp art scene. He was an outsider and became an artist’s artist. More so through his attitude and behaviour than through his work- which wasn’t very well known- he became a reference for new generations of artists, a living legend who rarely exhibited. With A well-considered idea of an exhibition in 3 parts M HKA pays tribute to a flamboyant artist, a loose cannon and a craftsman.

Click here to explore Episode 1.

Click here to explore Episode 2.

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Media

>Campaign image

>Invitation: Wout Vercammen - A well-considered idea of an exhibition in 3 parts

>A series of performances held during the 1970s by Wout Vercammen. Filmed by Armand Van Hessele

> Wout Vercammen, Angola, 1972-2015. Print, screen print op doek, 200 x 200 cm.

> Wout Vercammen, Oost West, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Orgasme-strijder, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Big Brother, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Pausmobiel, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Verzetsstrijders en Kolonels 2, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Massa's, 1972-2015. Print, screen print op doek, 200 x 100 cm.

> Wout Vercammen, Wout Vercammen, 2014. Book, ink, paper, 30 x 30 cm, 454 p., language : Dutch, publisher : Galerie Ronny Van de Velde & Museum van Hedendaagse Kunst, Antwerpen, ISBN : 9789072828514.