M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Exhibition: EXTRA MUROS: Visite Genk - Genkenaren kiezen kunst

C-Mine, Genk

02 July 2014 - 31 August 2014

Under the umbrella term Visite, the M HKA – in collaboration with LOCUS, the hub for libraries, cultural and community centres and local cultural policy - regularly organised exhibitions outside the museum. From 02.07.2014 to 31.08.2014, a number of key works of the M HKA collection were moved to Genk. 

A group of Genk residents took up the challenge of putting together an exhibition that was presented at the C-Mine Cultural Centre. In several sessions, the group was prepared for curatorship. The participants were given an introduction to contemporary art, and immersed themselves in the collection of the M HKA, where they got to know the museum both on, and behind, the scenes.

Even in the communication and public mediation did this curator group take the lead. By integrating this group as fully fledged members of the entire project - together with the various partners - the participants were encouraged to play an active role.

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> Michelangelo Pistoletto, Divisione e moltiplicazine dello specchio [Division and Multiplication of the Mirror], 1978. Sculpture, wood, goldpaint, mirror, 2 x (100 x 45 cm).

> Luc Tuymans, Antichambre [Anteroom], 1985. Painting, oil, canvas, 70 x 80 cm.

> Pieter Laurens Mol, Specific Impulse, 1985. Photography, ink, paper, 93 x 83.5 cm.

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> Ado Hamelryck, Zonder titel [Untitled], 1988. Drawing, wood, cardboard, gesso, blackboard paint, graphite pencil, 126 x 60 cm.

> Anish Kapoor, Untitled, 1991. Sculpture, pigment, stone, 122 x 77 x 101 cm.

> Jan Van Oost, Zonder titel [Untitled], 1993. Installation, plaster, velvet, wig, 80 x 80 x 80 cm.

> Anne-Mie Van Kerckhoven / AMVK, Attributen en substantie, 1993. Painting, acrylic paint, canvas, 150 x 99.5 x 6.5 cm.

> Wim Delvoye, Betonmolen [Cement Mixer], 1993. Sculpture, wood, lacquer, 128 x 155 x 92 cm.

> Patrick Van Caeckenbergh, De Oogst [The Harvest], 1994. Collage, paper, 210.5 x 152 cm.

> Juan Muñoz, Conversation Piece with a Stick, 1994. Sculpture, brass, 158 x 90 cm.

> Anne-Mie Van Kerckhoven / AMVK, Nursing Activities, Direct (Verpulveren) [Nursing Activities, Direct (Pulverizing)], 1995-1998. Installation, videoband vhs, hout, metaal, 190,5 x 529 x 75 cm (geheel), 2 x 1 m (platen).

> Luc Tuymans, Vlaams dorp [Flemish village], 1995. Artist Novel, oil, canvas, 110.5 x 144.5 cm.

> Marlene Dumas, Slight Delight, 1996. Drawing, aquarelle, paper, 125 x 70 cm.

> Marlene Dumas, Sailor's Dream, 1996. Drawing, watercolour, paper, 125 x 70 cm.

> Marlene Dumas, Mis-Cast, 1996. Drawing, aquarelle, paper, 125 x 70 cm.

> Marlene Dumas, Indian Summer, 1996. Drawing, aquarelle, paper, 125 x 70 cm.

> Marlene Dumas, Blind Joy, 1996. Drawing, aquarel on paper, 125 x 70 cm.

> Ann Veronica Janssens, La pluie météorique, 1997. Installation, gravel, variable dimensions.

> Hans Op de Beeck, Location I, 1998. Installation, wood, polystyrene, sand, glue, pvc, plastic, plexi, glass, electronics, frescolithe paint, lamp, 188 x 310 x 260 cm and 320 x 400 x 500 cm.

> Hicham Benohoud, Untitled [from the series 'La salle de classe n°2'], 2000-2002. Photography, silver gelatine print, 60 x 80 cm.

> Berlinde De Bruyckere, In Flanders Fields, 2000. Installation, horse skin, polyester, metal, plastic, blankets, variable dimensions.

> Hicham Benohoud, Untitled [from the series 'Version soft'], 2003. Photography, silver gelatine print, 60 x 80 cm.

> Michelangelo Pistoletto, Mar Rosso - Sedie Love Difference [Red Sea – Love Difference Chairs], 2005. Installation, 4 x (78 x 46 cm).

> Job Koelewijn, Boys & Girls, 2006. Multiple, wood, 3 x (200 x 80 x 40 cm).

> Koen van den Broek, Madonna, 2010. Film, oil on canvas, 93.5 x 85.5 cm .