M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: The Collection as a Character

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Themes & Categories

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>For The City and the World.

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>The City of Art.

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>Explode, Escape, Expose.

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>When The Sky is Low and Heavy.

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>Colour and Questions for Antwerp.

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>Sustainable Subversion.

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>Statements and Corner Pieces.

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>24,800 Square Metres.

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>Must Art Be?.

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>Things.

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>Figures.

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>Office Baroque.

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>Around Zero.

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>Passing Pieces.

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>Duplex Rehearsal.

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>Self-Portrait as a House.

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>Emptiness is Form.

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>Recollection, Responsibility.

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>First Marriage, Second Marriage.

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>Interaction.

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>In Decomposed Fractures.

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>Down Under.

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>Screens.

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>Relearning Speech.

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>Auto - Theatre.

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>Oratorio for Prepared Video - Player.

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>Truth Projected.

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>The Face, The Room.

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>To Sing Hell.

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>Objects That May Cause Harm.

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>To Speak.

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>Wild Walls.

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>Ouvertures.

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>Faith and Conviction.

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>Transformations and Situations.

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>A Selection from the Photographic Diary.

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>Useful Art.

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>Real Pictures.

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>Global Mariner.

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>Class and Tribe.

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>When Was Modernism?.

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>Against Belief, Against Architecture.

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>I'm Feeling Like the Belly of a Lion that has Eaten Too Much.

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>To Retitle an Object Daily During the Course of a Show.

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>Retrospection and Prospection.

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>The Harvest.

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>Minor Masters form Liège.

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>Constant Creation.

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>Excavation, Accomodation, Extinction.

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>Total Installation.

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>Collective Actions / Коллективные действия.

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>Human Projects.

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>Project Poetry.

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>Life is Pain.

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>Starz.

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>Studio Photography.

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>We are not what we seem.

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>The Measure as Self.

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>The Self as Measure.

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>Tension and Tone.

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>Earth Art, Air Art.

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>Sensations and Analysis.

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>Action in the Extreme.

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>Our Daily Bread.

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>Theatrics.

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>Photographs of Various Performances.

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>Nursing Activities.

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>Me, Dreaming.

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>Shadow of an Extraterrestrial Man.

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>Dreams of an Extraterrestrial Man.

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>Lenin - Art.

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>Creative Partnerships.

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>Punk Shamanism.

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>Northern Barbarians.

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>Caucasian Debris.

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>War from my Window.

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>Hommage à....

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>Non - Places.

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>Production States.

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>Modelled Space.

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>Lost Space.

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>Weak Images.

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>The Hat or the Rose, the Common Place.

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>Sunday Writings and Other Poeticals.

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>Self-Published, Self-Organised.

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>Poetic Vision.

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>The Kerala Radicals.

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>Surface as Depth.

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>Pin-Ups.

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>Room: Yellow Gold.

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>To Live, Above All.

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>Useful Life.

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>Black - Out.

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>Imaged Space.

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>Still Moving Images.

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>Diary of an Angry Critique of the Times.

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>Portraits of Myself.

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>Virgin and Child with Seraphim and Cherubim.

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>Self-Portrait in Living Room.

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>Action Etching.

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>Adversaries and Role Models.

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>History and Prehistory of Cinema.

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>The Artist / Technologist.

Oeuvres

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