M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: MONOCULTURE – Authenticité

Authenticité (Authenticity) was a radical version of Afrocentrism introduced in the late 1960s and early 1970s by Mobutu Sese Seko as an official state ideology of the Republic of Congo-Léopoldville, later renamed Zaire. The Authenticité policy implied numerous changes to state and to private life, and aimed to eliminate the influences of Western colonial culture in order to create a more centralised and singular national identity. This included the renaming of the country and its cities, as well as an eventual abolition of Christian names for more ‘authentic’ ones. In addition, the campaign banned Western-style clothing in favour of a tunic labelled the ‘abacost’ and its female equivalent. The policy had mostly been abandoned by the end of 1990s with the death of Mobutu, who had served as President of Congo/Zaire from 1965 to 1997.

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Works

>Luambo Makiadi et Le T.P.O.K. Jazz, "Candidat Na Biso Mobutu", 1984.Other, 12" vinyl, 31 x 31 cm.