M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: OM AH HUM

Apparently, artists are tantric when they are making their art. Om Ah Hum is probably coming from the Buddhist mantra. Some years ago, Dorothy experienced a period when her body appeared reluctant to cooperate with her mind. She contemplated the idea of learning a meditative technique to overcome these challenges. However, she decided that if she was going to embark on such a journey, she should seek guidance directly from the source. In the late 50s, Dorothy had read Alexandra David-Neel's 'Magic and Mystery in Tibet', which left a profound impact on her. After some years of searching for answers, Dorothy felt a profound connection to Tibetan Buddhism, she felt entirely at home, knowing that this spiritual path was where she should cultivate her artistic garden.

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Works

>Dorothy Iannone, Darling Duck, 1983-1984.Drawing, quadriptych, felt pen and ink , Each part 55 x 55 cm. Combined 55 x 220 cm.

>Dorothy Iannone, Om Ah Hum, 1994.Drawing, gouache and acrylic on paper , 20,82 x 29,8 cm.

>Dorothy Iannone, Tara, 2001.Sculpture, 140 x 100.

>Dorothy Iannone, On the Continuing Journey, 2008-2022.Print, silkscreen print, 60 x 45 cm.

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