M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Tobias Rehberger

Artmax

° 1966

Works in Berlin (DE), lives in Frankfurt (DE), born in Esslingen am Neckar (DE).

The multidisciplinary German artist Tobias Rehberger (b. 1966) reinterprets spaces – both museum and public spaces – by means of geometric objects, recurring colour patterns and planes of shadow and light. His conceptual oeuvre is a combination of architecture, design and video art.  Using recurring geometric motifs and optical illusions, he not only decorates buildings and interiors, but also objects, wall papers and design furniture. Through his constant exploration of the boundary between the public and the private space – primarily by emphasising it – the artist shows the impact of a personal intervention. Or the other way around: he shows how an artistic addition can become public property. In the same way, he also seeks to erase the boundaries of authorship and copyright. Rehberger regards all culture as public property, and uses it to undermine its own so-called specificity. Its use becomes pointless, but the shape of the object acquires an artistic autonomy that refers to existing objects. The play of shadow and light around the object is created by means of film images that are projected on the wall. The reflection of the moving images brings together the formal and the artificial in a consistent formal language.

Text: Hans Willemse
Translations: Michael Meert

Works

>Tobias Rehberger, Monsters Triumphing Library, 2000.Installation, mdf, lacquer, 4 televisions, 1 video (vhs), 1 player, 230 x 210 x 40 cm.

>Tobias Rehberger, Joan Crawford Slapping Library, 2000.Installation, mdf, , 2 television, 1 video (vhs), 1 player, 220 x 110 x 40 cm.

>Tobias Rehberger, 81 Years, 2002.Installation, computer programme, variable dimensions.

>Tobias Rehberger, Kopfverluste, 2002.Installation, wood, metal, tv player, dvd player, 163 x 245 x 48 cm.

Exhibitions & Ensembles

> Exhibition: Sanguine/Bloedrood. Luc Tuymans on Baroque. 01 June 2018 - 16 September 2018.