M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Beijing Duck, 2012

Book, 21,1 x 13,2 cm, 158 p., language : Norwegian, publisher : Oktober, Oslo, ISBN : 978 82 495 1058 0.

Collection: Collection M HKA, Antwerp (Inv. no. B 2027/727).

Literary synopsis

A fisherwoman cuts open a fish she has just caught, but the heart of the fish keeps on beating. Unsure of what to do, she swallows the heart. The next day, her hands are numb. The fish heart has contaminated her with a rare disease, and she has to amputate both hands. Without hands, she can’t fish, and her only option is to work as a prostitute in Beijing Palace. Subsequently, she gets a hand transplant from an executed prisoner, she gets pregnant and gives birth to twins. What follows is a surreal and funny story, where characters, episodes and scenes are twisted, rearranged and turned inside out in dizzying, fascinating ways.

Relation of the novel to the artist’s practice

Beijing Duck (concrete) is an installation that consists of 54 cubic concrete blocks, made of 537 books cast in cement, in which only the tops of the books are visible. Beijing Duck (concrete) is the remaining stock of Tandberg’s debut as a novelist with the 2012 publication Beijing Duck. The installation work finds its historic parallel in Marcel Broodthaers’ Pense-Bête from 1964; the Belgian artist’s marking of his own passage from writer to visual artist, where he reworked the remaining copies of his own poetry into a plaster sculpture. Tandberg’s books are now encapsulated in concrete, unreadable and unavailable in their original form. At the same time, they have been given new content, by their transformation from literature and syntax, into objects and compact matter. The poignancy of the concurrent act of destruction and reuse is also explored in Tandberg's picture series Beijing Duck (shotgun), where the last remaining copies of the novel have been shot to pieces with a shotgun, and then scanned from various angles.

Novel's website

Authorship: Artist Author.

Creative Strategy: Artworks Cite Novel.

Genre: Plain Fiction, Surrealist.

Publishing: Publishing House.

Theme: Humor, Illness, Prostitution.

Add to your list

Media

>

>View of Vibeke Tandberg's exhibition Infinite Signature at OSL Contemporary (13.11–19.12.15).

Artist

> Vibeke Tandberg.

Exhibitions & Ensembles

> Ensemble: The Artist's Novel.