M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Twee Delftse Butaangasflessen [Two Delft Blue Butane Containers], 1988

Sculpture, 58 x 30 cm.

©image: Syb'l S'Pictures

Collection: Collection M HKA, Antwerp (Inv. no. BK5588).

Wim Delvoye’s sculptures enchant us by their accessibility and conviviality. That holds as well for these Two Delft Blue Butane Containers, painted in Delft motifs. The windmills and landscapes are typical of Dutch home-, garden- and kitchen style. These gas containers are formally quite logical, but not contentually. The Delft part is a vase; on the other hand, the butane container is a gross, dangerous thing. So here we have cosiness and domesticity combined with danger and aggression. As a viewer, one now becomes even more aware of the fragility of the porcelain and the raw, industrial character of the gas container. Nonetheless, it all seems so natural. The everyday utilitarian object and the decoration meld into a new whole. The banal and the elevated take each other’s form and become mutually exchangeable.

In his objects these two worlds tilt into each other without cancelling one another out. This is what makes for a strong image, and an interchange between the iconography and the support is created. Delvoye’s art studies the relationship that exists between the image and its material support. At first, the gas container seems like the support for the painting, but the painting is also a support for the container. Delvoye’s decoration is so subversive because it pops-up precisely where we least expect it. Once you’ve seen Delvoye’s gas containers, you can never again look at a ‘regular’ example without having thoughts turn to a Delft vase.

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Artist

> Wim Delvoye.

Exhibitions & Ensembles

> Exhibition: The collection III with Interventions by Gert Robijns, Wilhelm Sasnal & Bojan Fajfric. MuHKA, Antwerpen, 22 February 2003 - 18 May 2003.

> Exhibition: The Collection XVIII – Encounter. MuHKA, Antwerpen, 15 March 2007 - 13 June 2007.

> Exhibition: The Eightees – A Decade of Extremes. M HKA, Antwerpen, 17 June 2016 - 18 September 2016.

> Exhibition: Visite Herentals - Reflections. Kasteel Le Paige, Herentals, 13 October 2012 - 04 November 2012.

> Ensemble: Collectie Vlaamse Gemeenschap.

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> Ensemble: M HKA_DEFAULT_WORKS.

> Ensemble: NUCLEUS.

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> Ensemble: Retrospection and Prospection.