{"id":37336,"title":"Diagonal cero n° 23, Edgardo Antonio Vigo","dimensions":"24,2 × 19,6 cm","date_begin":null,"material":"ink on paper","art_status_id":13,"legal_status_id":84,"category_id":457,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Archive Paul De Vree","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"diagonal-cero-n-23-edgardo-antonio-vigo","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/656/medium_500/Beelden_MuHKA_Groot5.jpg?1773845771","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"category":{"en":"Magazine","nl":"Magazine","fr":"Magazine"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/656/large/Beelden_MuHKA_Groot5.jpg?1773845771","poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eMagazine | diagonal cero n°\u0026nbsp;23, Edgardo Antonio Vigo, 1967. Design by Edgardo Antonio Vigo and Luis Pazos\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003eI\u003cstrong\u003en the same period, a less institutional but equally influential practice emerges, centred on figures such as Edgardo Antonio Vigo, a visual poet, artist and publisher.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVigo is fascinating because he treats the magazine as an artistic medium in its own right. Through initiatives such as \u003ci\u003eWC, DRKW’60\u003c/i\u003e and above all \u003ci\u003eDiagonal Cero\u003c/i\u003e, he creates an open platform for concrete and visual poetry. What intrigues me is how typography here becomes almost performative. It is no longer simply a carrier of text, but an action. Letters become material: they are folded, cut, distributed and mailed. Publication becomes an event rather than an end product.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eConversation between Jan De Vree and Jelle Jespers, 2026 read further\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/417/original/AP_Nueva-Vision_brochure_EN.pdf?1769591604\"\u003ehere\u003c/a\u003e.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eMagazine | diagonal cero n°\u0026nbsp;23, Edgardo Antonio Vigo, 1967. Design by Edgardo Antonio Vigo and Luis Pazos\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003e\u003cstrong\u003eIn dezelfde periode verschijnt ook een minder institutionele, maar minstens even invloedrijke praktijk, met figuren als Edgardo Antonio Vigo. Hij is visueel dichter, kunste naar en uitgever.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVigo is een boeiende figuur omdat hij het tijdschrift als artistiek medium op zich gebruikt. Met initiatieven als \u003ci\u003eWC, DRKW’60\u003c/i\u003e en vooral \u003ci\u003eDiagonal Cero\u003c/i\u003e creëert hij een open platform voor concrete en visuele poëzie. Wat mij daarin fascineert, is hoe typografie hier bijna performatief wordt. Het is niet langer een drager van tekst, maar een handeling. Letters worden materiaal: ze worden geplooid, versneden, verspreid en verzonden. Publicatie wordt een actie, geen eindproduct.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eGesprek tussen Jan De Vree en Jelle Jespers, lees \u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/418/original/AP_Nueva-Vision_brochure_NL.pdf?1769591959\"\u003ehier\u003c/a\u003e verder.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eMagazine | diagonal cero n°\u0026nbsp;23, Edgardo Antonio Vigo, 1967. Design by Edgardo Antonio Vigo and Luis Pazos\u003c/p\u003e\u003cblockquote\u003e\u003cp\u003e\u003cstrong\u003eÀ la même période, une pratique moins institutionnelle, mais tout aussi influente, se développe avec Edgardo Antonio Vigo. Il est poète visuel, artiste et éditeur.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVigo est une figure fascinante parce qu’il utilise la revue comme médium artistique à part entière. Avec des initiatives comme \u003ci\u003eWC, DRKW’60\u003c/i\u003e et surtout\u003ci\u003e Diagonal Cero\u003c/i\u003e, il crée une plateforme ouverte dédiée à la poésie concrète et visuelle. Ce qui me frappe, c’est la dimension presque performative de la typographie. Elle n’est plus un simple support de texte, mais un geste. Les lettres deviennent matière : elles sont pliées, découpées, disper sées, envoyées. Publier devient une action, et non un produit final.\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eEntretien entre Jan De Vree et Jelle Jespers, pour en savoir plus, cliquez\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/419/original/AP_Nueva-Vision_brochure_FR.pdf?1769595025\"\u003eici\u003c/a\u003e.\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}