{"id":35063,"title":"Forces of Nature / Multiple Vortexes","dimensions":"35.6 × 27.9 cm","date_begin":"2010-01-01","material":"ink on paper","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Gagosian, Los Angeles","cached_tag_list":"jim shaw","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JSHAW 2010.0018","stream_count_app":12,"permalink":"forces-of-nature-multiple-vortexes-b52ca3a2-8b1a-44b5-b8b4-eef2f41b4224","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/340/medium_500/Afbeelding2.jpg?1699865613","cached_actor_names":"Jim Shaw","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","category":{"en":"Drawing","nl":"Tekening","fr":"Dessin"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/340/large/Afbeelding2.jpg?1699865613","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of artist and Gagosian, Los Angeles","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u0026ldquo;I\u0026rsquo;ve been doing drawings based on hairdos that really existed in the sixties, turning them into different forces of nature. And this is all before the tsunami [in Japan, 11 March 2011].\u0026rdquo;\u003c/strong\u003e\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(From an Interview in Metropolis M.)\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align:justify\"\u003eIn the series \u003cem\u003e\u0026#39;Forces of Nature\u0026#39;\u003c/em\u003e, Jim Shaw examines the way in which forces of nature are stereotypically represented. The ideas of Leonardo da Vinci (1452-1519) on how to draw waterfalls or clouds produce very stylised images, which according to Shaw are very similar to the practice of comic strip artists. Shaw uses the style of comics from the 1950s and 1960s not only as a reference to childhood memories, but also because he is interested in the production methods that are used. He taught himself to draw in a style that was mainly aimed at \u0026#39;quick delivery\u0026#39; (after all, illustrators were usually paid per page) and then applied it to works of art intended for museum walls. The depiction of expressionistic elements such as explosions, speed, and natural forces are essential in comics. They aim to set the action in motion \u0026ndash; in the mind of the reader.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align:justify\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026ldquo;I\u0026rsquo;ve been doing drawings based on hairdos that really existed in the sixties, turning them into different forces of nature. And this is all before the tsunami [in Japan, March 11, 2011].\u0026rdquo;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(From Metropolis M Interview)\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align:justify\"\u003eIn de reeks \u003cem\u003e\u0026ldquo;Forces of Nature\u0026rdquo; \u003c/em\u003eonderzoekt Jim Shaw de manier waarop natuurkrachten stereotiep worden weergegeven. De idee\u0026euml;n van Leonardo da Vinci (1452-1519) over hoe je watervallen of wolken kan tekenen, leveren erg gestileerde beelden op, die volgens Shaw sterk aanleunen bij de praktijk van striptekenaars. Shaw gebruikt de stijl van comics uit de jaren 1950 en 1960 niet alleen als een referentie aan jeugdherinneringen, maar ook uit interesse voor de productiewijzen. Shaw leert zichzelf tekenen in een stijl die vooral gericht was op snel kunnen opleveren (tekenaars werden immers meestal betaald per pagina) en past die vervolgens toe in kunstwerken bedoeld voor museummuren. De weergave van expressionistische elementen zoals explosies, snelheid en natuurkrachten, zijn essentieel in stripverhalen om de actie in gang te zetten in het hoofd van de lezer.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align:justify\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026rsquo;ai fait des dessins inspir\u0026eacute;s de coiffures qui existaient vraiment dans les ann\u0026eacute;es\u0026nbsp;1960, et je les ai transform\u0026eacute;es en diff\u0026eacute;rentes forces de la nature. Et tout cela avant le tsunami [du 11\u0026nbsp;mars 2011 au Japon].\u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(Extrait d\u0026rsquo;une interview sans la revue Metropolis\u0026nbsp;M)\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align:justify\"\u003eDans la s\u0026eacute;rie\u003cem\u003e Forces of nature\u003c/em\u003e [Forces de la nature], Jim Shaw \u0026eacute;tudie la mani\u0026egrave;re dont on repr\u0026eacute;sente les forces naturelles de fa\u0026ccedil;on st\u0026eacute;r\u0026eacute;otyp\u0026eacute;e. Les id\u0026eacute;es qu\u0026rsquo;avait L\u0026eacute;onard de\u0026nbsp;Vinci (1452-1519) quant au proc\u0026eacute;d\u0026eacute; de dessin pour des chutes d\u0026rsquo;eau ou des nuages ont produit des images fort stylis\u0026eacute;es qui, selon Jim Shaw, se rapprochent de la pratique des b\u0026eacute;d\u0026eacute;istes. Shaw utilise le style des comic strips, les bandes dessin\u0026eacute;es \u0026eacute;tats-uniennes des ann\u0026eacute;es\u0026nbsp;1950 et\u0026nbsp;1960, non seulement comme r\u0026eacute;f\u0026eacute;rence \u0026agrave; des souvenirs d\u0026rsquo;enfance, mais aussi par int\u0026eacute;r\u0026ecirc;t pour le mode de production. Shaw apprend \u0026agrave; dessiner, en autodidacte, dans un style privil\u0026eacute;giant la rapidit\u0026eacute; d\u0026rsquo;ex\u0026eacute;cution (les illustrateurs \u0026eacute;tant en g\u0026eacute;n\u0026eacute;ral pay\u0026eacute;s \u0026agrave; la page) et l\u0026rsquo;applique ensuite \u0026agrave; des \u0026oelig;uvres d\u0026rsquo;art destin\u0026eacute;es aux murs des mus\u0026eacute;es. La repr\u0026eacute;sentation d\u0026rsquo;\u0026eacute;l\u0026eacute;ments expressionnistes, tels que des explosions, la vitesse et les forces de la nature, est essentielle dans les bandes dessin\u0026eacute;es pour d\u0026eacute;clencher l\u0026rsquo;action dans l\u0026rsquo;esprit des lecteur\u0026middot;rices ou des spectateur\u0026middot;rices.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":5037,"name":"Jim Shaw","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}