{"id":34770,"title":"West Coast Studio, 1960s","dimensions":"71,5 x 81,5 cm  ","date_begin":null,"material":"Oil on canvas","art_status_id":13,"legal_status_id":84,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":" The Estate Of Dorothy Iannone, courtesy Air de Paris, Romainville and Peres Projects, Berlin","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e1960s\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":20,"permalink":"west-coast-studio","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/838/medium_500/2023_Dorothy_Iannone_TEN_F176.jpeg?1697727723","cached_actor_names":"Dorothy Iannone","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/838/large/2023_Dorothy_Iannone_TEN_F176.jpeg?1697727723","poster_credits":"© The Estate Of Dorothy Iannone, courtesy Air de Paris, Romainville and Peres Projects, Berlin. Photo: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;Gradually my abstract expressionist paintings included figurative elements. And from the first moment, around 1963, whenever I painted a man and a woman their sexual organs were not only present but sometimes prominent. This couple most likely represented me and my husband. In 1966, I made a few hundred wooden cutouts of everyone in the world I could think of, real people, mythological people, invented people, and I always included their sexual organs even if they were fully dressed. In a few cases, I copied couples actually making love from Greek vases and Indian temples. So, you could say that through the precedent of classical art, sex entered my work.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003eDorothy Iannone, from \u003ca href=\"https://flash---art.com/article/dorothy-iannone\"\u003eMaurizio Cattelan, \u003cem\u003eDorothy lannone. A Revolutionary Life. Flash Art International\u003c/em\u003e\u003c/a\u003e, n\u0026deg; 247, March-April 2006, pp. 79-81\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp style=\"text-align:justify\"\u003e\u003cspan style=\"color:#990000\"\u003e\u0026#39;Geleidelijk aan begonnen mijn abstract-expressionistische schilderijen figuratieve elementen te bevatten. En vanaf het eerste moment, rond 1963, waren, telkens ik een man en een vrouw schilderde, hun geslachtsorganen niet slechts aanwezig, maar soms ook nadrukkelijk aanwezig. Dit koppel beeldde hoogstwaarschijnlijk mij en mijn man uit. In 1966 maakte ik een paar honderd houten uitsneden van iedereen in de wereld die ik kon bedenken, echte mensen, mythologische mensen, verzonnen mensen, en ik beeldde altijd hun geslachtsorganen af, zelfs als ze volledig gekleed waren. In een paar gevallen kopieerde ik van Griekse vazen en Indische tempels koppels die daadwerkelijk de liefde bedreven. Je zou dus kunnen zeggen dat door het precedent van de klassieke kunst, seks mijn werk binnenkwam.\u0026#39;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003eDorothy Iannone, uit\u0026nbsp;\u003ca href=\"https://flash---art.com/article/dorothy-iannone\"\u003eMaurizio Cattelan, \u003cem\u003eDorothy lannone. A Revolutionary Life. Flash Art International\u003c/em\u003e\u003c/a\u003e, n\u0026deg; 247, March-April 2006, p. 79-81\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;Peu \u0026agrave; peu, j\u0026rsquo;ai int\u0026eacute;gr\u0026eacute; des \u0026eacute;l\u0026eacute;ments figuratifs \u0026agrave; mes tableaux expressionnistes abstraits. D\u0026egrave;s le d\u0026eacute;but, vers 1963, quand je peignais un homme et une femme, leurs organes sexuels \u0026eacute;taient non seulement toujours pr\u0026eacute;sents, mais parfois pro\u0026eacute;minents. Ce couple nous repr\u0026eacute;sentait sans doute, mon mari et moi. En 1966, j\u0026rsquo;ai r\u0026eacute;alis\u0026eacute; quelques centaines de d\u0026eacute;coupages en bois de chaque personne dans le monde \u0026agrave; laquelle je pouvais penser, des personnes r\u0026eacute;elles, mythologiques ou invent\u0026eacute;es, et j\u0026rsquo;ai toujours inclus leurs organes sexuels, m\u0026ecirc;me si elles \u0026eacute;taient enti\u0026egrave;rement habill\u0026eacute;es. Certaines fois, j\u0026rsquo;ai copi\u0026eacute; des couples faisant l\u0026rsquo;amour de vases grecs et de temples indiens. On pourrait donc dire qu\u0026rsquo;\u0026agrave; travers l\u0026rsquo;art classique, le sexe s\u0026rsquo;est introduit dans mon \u0026oelig;uvre.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, extrait de Maurizio Cattelan, \u003cem\u003eDorothy lannone. A Revolutionary Life\u003c/em\u003e, Flash Art International, n\u0026deg; 247, mars \u0026ndash;avril 2006, pp. 79\u0026ndash;81\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4684,"name":"Dorothy Iannone"}]}