{"id":34225,"title":"An Icelandic Saga","dimensions":"170 x 400 cm","date_begin":"1989-01-01","material":"Hand-colored silkscreen print \"à la lyonnaise\" on fabric, special edition","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private collection, Courtesy Air de Paris, Romainville","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"an-icelandic-saga","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/796/medium_500/An_Icelandic_Saga.jpeg?1682090504","cached_actor_names":"Dorothy Iannone","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/796/large/An_Icelandic_Saga.jpeg?1682090504","poster_credits":"© Dorothy Iannone. Image: Air de Paris, Romainville","translations":[{"locale":"en","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;We met in 1967 when I sailed to Iceland on a freighter with my husband and our friend, Emmett Williams. Dieter was waiting for us at the pier. From the moment I met him until the time I left him, my relationship with Dieter was the inspiration of my art. No longer did I paint other people. The two of us became the stars of my work, and instead of using lines from poems which I loved in my paintings, now I recorded what we had said to each other, or I wrote my own texts. No longer was I obsessed with the high love of Shakespeare\u0026rsquo;s Antony and Cleopatra, now I had found my own, and in the course of recording it \u0026mdash; not only the ecstasy but the domestic scenes too, and the difficulties \u0026mdash; my work went into many new directions and took on many new forms. Because I was so much in love with him, Dieter was my muse, and though he had probably near foreseen this role in his life, I think he enjoyed it very much. After our separation in 1974, Dieter appears only now and again in my work, but he never leaves it completely. Sometimes circumstances call for a piece starring Dieter.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003eDorothy Iannone, from Maurizio Cattelan, \u003ca href=\"https://flash---art.com/article/dorothy-iannone\"\u003e\u003cem\u003eDorothy lannone. A Revolutionary Life. Flash Art International\u003c/em\u003e\u003c/a\u003e, n\u0026deg; 247, March-April 2006, pp. 79-81\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp style=\"text-align:justify\"\u003e\u003cspan style=\"color:#990000\"\u003e\u0026#39;We ontmoetten elkaar in 1967 toen ik met mijn man en onze vriend Emmett Williams op een vrachtschip naar IJsland zeilde. Dieter wachtte ons op aan de pier. Vanaf het moment dat ik hem ontmoette tot het moment dat ik hem verliet, was mijn relatie met Dieter de inspiratie voor mijn kunst. Ik schilderde niet langer andere mensen. Wij twee werden de sterren van mijn werk, en in plaats van regels uit gedichten waar ik van hield in mijn schilderijen te gebruiken, legde ik nu vast wat we tegen elkaar hadden gezegd, of schreef ik mijn eigen teksten. Ik was niet langer geobsedeerd door de grote liefde van Shakespeares Antony en Cleopatra, nu ik de mijne had gevonden, en tijdens het vastleggen ervan \u0026ndash; niet alleen de extase maar ook de huiselijke sc\u0026egrave;nes, en de moeilijkheden \u0026ndash; ging mijn werk tal van nieuwe richtingen uit en nam het vele nieuwe vormen aan. Omdat ik zo verliefd was op hem, was Dieter mijn muze, en hoewel hij deze rol in zijn leven waarschijnlijk bijna had voorzien, denk ik dat hij er erg van genoot. Na onze scheiding in 1974 verschijnt Dieter slechts af en toe in mijn werk, maar hij verlaat het nooit helemaal. Soms vragen de omstandigheden om een werk met Dieter in de hoofdrol.\u0026#39;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003eDorothy Iannone, uit Maurizio Cattelan, \u003ca href=\"https://flash---art.com/article/dorothy-iannone\"\u003e\u003cem\u003eDorothy lannone. A Revolutionary Life. Flash Art International\u003c/em\u003e\u003c/a\u003e, n\u0026deg; 247, March-April 2006, p. 79-81\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cblockquote\u003e\r\n\u003cp\u003e\u003cspan style=\"color:#990000\"\u003e\u0026ldquo;Nous nous sommes rencontr\u0026eacute;s en 1967 lorsque je me suis embarqu\u0026eacute;e pour l\u0026rsquo;Islande sur un cargo avec mon mari et notre ami Emmett Williams. Dieter nous attendait \u0026agrave; l\u0026rsquo;embarcad\u0026egrave;re. D\u0026egrave;s le moment o\u0026ugrave; je l\u0026rsquo;ai rencontr\u0026eacute; jusqu\u0026rsquo;\u0026agrave; celui o\u0026ugrave; je l\u0026rsquo;ai quitt\u0026eacute;, ma relation avec Dieter, notre relation a inspir\u0026eacute; mon art. Je ne peignais plus d\u0026rsquo;autres personnes. Nous deux sommes devenus les vedettes de mon \u0026oelig;uvre, et au lieu d\u0026rsquo;agr\u0026eacute;menter mes tableaux de vers de po\u0026egrave;mes que j\u0026rsquo;aimais, je consignais d\u0026eacute;sormais ce que nous nous \u0026eacute;tions dits, soit j\u0026rsquo;\u0026eacute;crivais mes propres textes. Je n\u0026rsquo;\u0026eacute;tais plus obs\u0026eacute;d\u0026eacute;e par le grand amour shakespearien d\u0026rsquo;Antoine et Cl\u0026eacute;op\u0026acirc;tre, \u0026agrave; pr\u0026eacute;sent, j\u0026#39;avais trouv\u0026eacute; e mien, et en le consignant \u0026mdash; non seulement l\u0026rsquo;extase, mais aussi la sc\u0026egrave;ne domestique, et les difficult\u0026eacute;s \u0026mdash;, mon travail a pris de nombreuses directions et formes nouvelles. J\u0026rsquo;\u0026eacute;tais tellement amoureuse de Dieter, qu\u0026rsquo;il en est devenu ma muse, et bien qu\u0026rsquo;il n\u0026rsquo;ait probablement pas pressenti ce r\u0026ocirc;le dans sa vie, je pense qu\u0026rsquo;il l\u0026rsquo;a beaucoup appr\u0026eacute;ci\u0026eacute;. Apr\u0026egrave;s notre s\u0026eacute;paration en 1974, Dieter n\u0026rsquo;appara\u0026icirc;t plus que de temps \u0026agrave; autre dans mon travail, mais il ne le quitte jamais compl\u0026egrave;tement. Parfois, les circonstances exigent une pi\u0026egrave;ce mettant en sc\u0026egrave;ne Dieter.\u0026rdquo;\u003c/span\u003e\u003c/p\u003e\r\n\u003c/blockquote\u003e\r\n\r\n\u003cp style=\"text-align:right\"\u003e\u003cspan style=\"font-size:12px\"\u003eDorothy Iannone, extrait de Maurizio Cattelan, \u003ca href=\"http://flash---art.com/article/dorothy-iannone\"\u003e\u003cem\u003eDorothy lannone. A Revolutionary Life\u003c/em\u003e\u003c/a\u003e, Flash Art International, n\u0026deg; 247, mars\u0026ndash;avril 2006, pp. 79\u0026ndash;81\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":4684,"name":"Dorothy Iannone"}]}