M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

>Lena Kolesnikova

Voskhod Cooperative, 2020

Installation, 6 x 4 x 4.5 m .

@ Lena Kolesnikova

This project is devoted to specific areas of post-Soviet cities — living garage cooperatives. Lena Kolesnikova researched architecture and structure of these areas, which reflect social processes of all contemporary cities such as urbanization, migration, unequal income distribution, unemployment, etc. Central object is an installation of a two-storied garage building made of concrete blocks, scrap metal, timber and reused materials; with cheap wallpaper, homemade shelves, and household items found on Avito.ru. It is accompanied with videos: inside the garage — interviews with residents, authors of their own garages; outside — the streets of one of the garage cooperatives — an area of 700 houses, as well as architectural drawings and pop-up postcards. 

More about the project: typography-online.ru/2020/06/20/elena-kolesnkova-voskhod-eng/

 

Add to your list

Media

>Voskhod Cooperative

>Voskhod Cooperative

>Voskhod Cooperative

>Voskhod Cooperative

Artist

> Lena Kolesnikova.

Exhibitions & Ensembles

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> Ensemble: Present Continuous V-A-C/M HKA.

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> Ensemble: 2020.

Related Items

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>Lena Kolesnikova, Portfolio Lena Kolesnikova, 2020.Review.

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