• 0102 • Le Vide (ed. 20)
1963-1965
Multiple, 50 x 36 x 7 cm, base 1,5 cm (h).
Materials: Chromed metal
Collection: Jef Verheyen Archive.
Le Vide is the ultimate window on infinity. It directs
the gaze, to everything and to nothing. Looking
becomes staring into emptiness. Art thus loses
its material form. In 1967, Verheyen and German
artist Günther Uecker hold a joint happening.
They install Le Vide – French for ‘emptiness’ or
‘the void’ – in a field, in Mullem, East Flanders.
That open-air exhibition, Vlaamse Landschappen –
Flemish Landscapes – is a nod to Verheyen’s
identity as a Flemish painter. His paintings are
also voids, windows through which he explores
the suggestion of infinite space.