M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

157-166 Untitled, 1988

Print, 10 x (60 x 84 cm).

©image: M HKA

Collection: Collection M HKA, Antwerp (Inv. no. BK7213_M220A_J).

Donald Judd  (1928–1994, US) studies painting and philosophy and makes a great impact on post-war art as a sculptor, printmaker and critic as a front figure and chief ideologue of Minimal Art. In his essay 'Specific Objects' from 1965 Judd describes the art of the 1960s as neither sculpture nor painting. His later works, industrially manufactured box structures of wood or metal, demonstrate the same tension between the two art forms. He famously denies that his own work is composed and analysable, claiming that it came to him ‘full-blown in the middle of the night’. A very essentialist position!

Untitled is a series of ten red woodcuts from 1988 – a prime example of the rigidly geometric, taut aesthetic which had first won Donald Judd international acclaim as one of the founding fathers of American minimal art in the mid-sixties. The woodcuts operate as two-dimensional representations of Judd’s much better known, groundbreaking forays into sculpture, articulating one of Minimalism’s many ambiguities – the programmatic tension between artisanal modes of production on the one hand, and industrialized mass production on the other. The grid-like presentation of Judd’s prints echo the primacy of rhythm in the spatial art of all minimalist sculpture, which has not been named ‘theatrical’ for no good reason.

Add to your list

Artist

> Donald Judd.

Exhibitions & Ensembles

> Exhibition: The collection XXXIII – The Collection as a Character. M HKA, Antwerpen, 07 June 2013 - 22 September 2013.

> Exhibition: The collection I – Fall 2002. M HKA, Antwerpen, 31 August 2002 - 10 November 2002.

> Exhibition: EXTRA MUROS: Cultuurstraten 2009. M HKA, Groenzone Van Leenstraat, Borgerhout, Antwerpen, 29 August 2009 - 12 September 2009.

No image

> Ensemble: M HKA_DEFAULT_WORKS.

> Ensemble: Collectie Vlaamse Gemeenschap.