Window on Infinity - Room 07
Ensemble
A canvas with stainless steel reflectors, by Hermann Goepfert. A composition with mirror surfaces, by Christian Megert. A sculpted torsion form, by Walter Leblanc. Unlike his colleagues, Verheyen does not experiment with mirror, glass or steel. He paints in oil on burlap and sticks to the two-dimensional canvas. All these works nevertheless have one thing in common: they are in constant dialogue with the light. Verheyen and the ZERO artists invite us not to stand still and stare, but rather to move past the works. In that way we activate light and space and become part of the work.
Items
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Weisse Kugel
Günther Uecker, Weisse Kugel, 1961. Sculpture, nails, paint and wooden sphere, 17 cm.
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Manifesto 'ZERO der neue ...
Galerie Diogenes, Jef Verheyen, Manifesto 'ZERO der neue Idealismus' published on the occasion of the exhibition in Galerie Diogenes, Berlin, 1959. Invitation Card, ink on paper.
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Pink Coco Lopez
Ann Veronica Janssens, Pink Coco Lopez, 2010-2018. Sculpture, glass, paraffin oil, serigraph, wooden base, 120 x 60 x 60 cm.
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Postcard from Günther Uec...
Günther Uecker, Jef Verheyen, Postcard from Günther Uecker to Jef Verheyen about his nail objects in 'Vision in Motion / Motion in Vision' in Hessenhuis, Antwerp (2 November 1959), 1959. Letter, ink on paper, 10,5 x 14,9 cm.
Actors
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Jean Tinguely
Jean Tinguely is pace-setter of the informal group of artists who commandeer the Hessenhuis in the spring of 1959. He is well apt for the ro
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Walter Leblanc
Walter Leblanc initially makes lyric abstract work, then radically changes course around 1960. With the torsion form as most important eleme
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Ann Veronica Janssens
Ann Veronica Janssens mainly does site-specific works. She is neither sculptor nor architect. Taking a specific space as her starting point,
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Galerie OREZ
No description.