Window on Infinity - Room 04
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Non-plastic painting
Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks to the translucent layers of paint he applies one above the other, it is as if he is painting with air. The brushstrokes are barely visible in his atmospheric landscapes. In these dark, hazy environments, a cosmic silence predominates. Vibrations seem to set the spaces in static motion. Verheyen’s technique of building up paint in translucent layers is centuries old. Jan van Eyck applied it in in his oil paintings in the fifteenth century. Le Peintre Flamant aims to refine the technique in dematerialised ‘portraits’ of dark and light.
‘When I first exhibited in Milan and told visitors that I came from the same country as Van Eyck, Memling, Van der Weyden, Van der Goes and Rubens, they were astonished. To my Italian friends and acquaintances I was instantly Jef Verheyen, “un giovane pittore fiammingo”. In my work they recognised the continuation of what they find typical of la pittura fiamminga: light and space.’
Jef Verheyen, ca. 1970
Items
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Invitation to the exhibit...
Jef Verheyen, Invitation to the exhibition Nieuwe Europese School in Hessenhuis, Antwerp, 1960. Invitation Card, ink on paper.
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Concetto Spaziale
Lucio Fontana, Concetto Spaziale, 1958. Ceramics, 17.8 x 14.5 x 14.5 cm.
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Jef Verheyen and Engleber...
Frank Philippi, Jef Verheyen, Englebert Van Anderlecht, Guy Vaes, Jef Verheyen and Englebert Van Anderlecht (right) working together on their joint series of paintings 'The One and the Other – Neither One Nor the Other', 1960. Photography, photographic print.
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Publication of the exhibi...
Lucio Fontana, Jef Verheyen, Publication of the exhibition 'Ceramiche di Fontana' in Galleria Pater, Milan, 1962. Book, ink on paper.
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Filip Tas
No description.
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Englebert Van Anderlecht
Jef Verheyen and Englebert Van Anderlecht became good friends after Verheyen introduced Van Anderlecht to Enzo Pagani as well as to Hans Liec
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Frank Philippi
After studying at the Royal Academy of Fine Arts in Antwerp, Frank Philippi choses photography over painting. It was his greatest hobby, but
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Guy Vaes
The French-language Antwerp author Guy Vaes (1927-2012) acquires fame in 1956 with his first novel Octobre long dimanche. Not just as author,

