Window on Infinity - Room 10
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Cathedrals of Light
After monochromy and achromy, Jef Verheyen explores panchromy, embracing not just many colours but all the colours of the rainbow and sun path. He uses these to paint refractions, tondos and cathedrals of light as homages to light. In 1974 Verheyen moves to Provence. He writes several times about its exceptional ‘shimmering light’, a light that inspires him to paint an homage to impressionist painter Claude Monet. Verheyen doesn’t base this work on observation, however, but rather on the imagination of light as an idea or concept. Light takes shape here in the enchanting interplay of crystal-clear colours. Verheyen paints them he says ‘flat on a deep painting’. Adimensional, infinite and intangible. Like a space. Or like a breath.
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676 • Stelatex (ed. 25)
Jef Verheyen, 676 • Stelatex (ed. 25), 1966. Multiple, ink and mixed media on cardboard, 49,5 x 34,5 cm.
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• 0097 • Zonnebogen (1/4)
Jef Verheyen, Sammlung Lenz, • 0097 • Zonnebogen (1/4), 1965. Painting, matt lacquer on canvas, 65 x 65 cm, 81 x 81 cm with frame.
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• 0098 • L'oubli de la mo...
Jef Verheyen, S.M.A.K. Stedelijk Museum voor Actuele Kunst, • 0098 • L'oubli de la mort (Gondola rosa), 1965. Painting, matt lacquer on fibreboard, 120 x 240 cm.
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Jef Verheyen 40
Jef Verheyen, Ivo Michiels, Paul Ibou, Frank Philippi, Multi-Art Gallery, Multi-Art Press International, Liliane Emma Staal, Jef Verheyen 40, 1972. Poster, ink on paper, 80 x 40 cm.
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Frank Philippi
After studying at the Royal Academy of Fine Arts in Antwerp, Frank Philippi choses photography over painting. It was his greatest hobby, but
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Paul De Vree
Paul De Vree was a pioneer of European concrete poetry and a visual artist. He founded literary journals such as 'De Tafel Ronde' in Belgium
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Galerie Iris Clert
Iris Clert, born as Iris Athanassiadis in 1917 in Athens, moved to Paris in the 1930s. She joined, together with her husband, filmproducer Cl
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Lucio Fontana
The Argentine-Italian visual artist Lucio Fontana (1899-1968) has broadened and deepened the avant-garde of the mid-twentieth century with ne
