M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

KATJA NOVITSKOVA

©image: M HKA

° 1984

Born in Estonia, lives in Amsterdam (Netherlands).

Katja Novitskova speaks of looking at the sky from her window in a high-rise block in a suburb of Tallinn, where the inhabitants felt weighed down by being negatively defined. Like the stars in her telescope, those ‘Russian-speakers’ didn’t quite belong where they had ended up; they no longer appeared to others as what they imagined themselves to be, or perhaps they were not yet what they might still become. Having experienced the politicisation of identity in 1990s Estonia, Novitskova searched for ways out, which were also, inevitably, ways in: academic semiotics, graphic design and the more dubious but also more efficient knowledge acquired by someone who uses the Internet to become an artist.

Post Internet Survival Guide 2010 is organised into chapters according to the first page of Google search results for ‘survival guide’: SIZE UP THE SITUATION, USE ALL YOUR SENSES, REMEMBER WHERE YOU ARE, VALUE LIVING, IMPROVISE, VANQUISH FEAR AND PANIC, ACT LIKE THE NATIVES, LEARN BASIC SKILLS.” A manifesto as good as any, with the added benefit of being a found object. The book that made Novitskova’s reputation as a sophisticated ‘digital native’ deserves to be taken at face value as a useful introduction to contemporary life.

It would be simplistic to assume that post-internet art (a term her book helped launch) seriously imagines itself occupying the ‘after’ that we also find in the title of this exhibition. Yet Novitskova’s work is marked by a strong interest in the organic and the various realms of nature. For her ongoing series of cut-out sculptures, she first sources images from the Internet and then has them printed and mounted on aluminium. (AK)

More

Works

> KATJA NOVITSKOVA, Approximation XXI (Alpaca), 2014.Print, digital print on aluminium, cut out display, 146 x 180 x 35 cm.

Exhibitions & Ensembles

> Exhibition: Don't You Know Who I Am? – Art After Identity Politics. 13 June 2014 - 14 September 2014.