{"id":27002,"title":"L. S. Senghor, \"Liberté 5: Le Dialogue des Culture\"","dimensions":"14 x 20,5 cm","date_begin":"1993-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"Monoculture Negritude","publishing_process_id":1,"annotation":"\u003cp\u003eL. S. Senghor, \u0026quot;Freedom 5: The Dialogue of Cultures\u0026quot;\u003cbr /\u003e\r\nPublished by \u0026Eacute;ditions du Seuil\u003cbr /\u003e\r\nFirst edition\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":17,"permalink":"l-s-senghor-liberte-5-le-dialogue-des-culture","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/175/medium_500/Image000292.jpg?1598950101","cached_actor_names":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/175/large/Image000292.jpg?1598950101","poster_credits":"scan: (c) M HKA, Published by Éditions du Seuil","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn the article titled \u003cem\u003eCe que l\u0026rsquo;homme noir apporte\u003c/em\u003e\u0026nbsp;(\u0026lsquo;What the Black Man Contributes\u0026rsquo;), published in \u003cem\u003eLibert\u0026eacute; I\u003c/em\u003e, Senghor famously stated: \u0026ldquo;emotion is negro, like the reason is Hellenic\u0026rdquo;. The final volume of the series reveals a much more complex understanding of this dichotomy, as well as relations between Mediterranean culture and \u003cem\u003eN\u0026eacute;gritude\u003c/em\u003e. In his text \u003cem\u003eGr\u0026egrave;ce antique et N\u0026eacute;gritude\u003c/em\u003e\u0026nbsp;(Ancient Greece and N\u0026eacute;gritude) Senghor asserts that there is up to 20 percent of black blood amongst Mediterranean people. Referring to prehistoric times, and in particular to numerous archaeological and ethnological discoveries made in the twentieth century. He argues that Greek civilisation, and the so-called \u0026ldquo;Greek miracle\u0026rdquo;, was a result of biological-, and more importantly, cultural \u003cem\u003em\u0026eacute;tissage\u003c/em\u003e. Thus, Senghor\u0026rsquo;s understanding of the dichotomy of emotion and reason follows that of Nietzsche and his concepts of the Dionysian and the Apollonian as two opposing, but equally important,creative forces. The direct reference to the Nietzschean claim to the return of the symbiosis between the Apollonian and Dionysian spirits can also be found in the central text of this volume that gave name to the whole volume \u0026ndash; \u003cem\u003eLe Dialogue des cultures\u003c/em\u003e\u0026nbsp;(\u0026lsquo;The Dialogue of Cultures\u0026rsquo;). Senghor understood the values of \u003cem\u003eN\u0026eacute;gritude \u003c/em\u003eas a cornerstone in attaining the balance needed for building a Universal Civilisation, which would be the common goal for all races.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn zijn artikel \u003cem\u003eCe que l\u0026#39;homme noir apporte\u003c/em\u003e (Wat de zwarte man bijdraagt), gepubliceerd in \u003cem\u003eLibert\u0026eacute; I\u003c/em\u003e, stelde Senghor dat \u0026ldquo;emotie negride is, zoals de rede Helleens is.\u0026rdquo; Het laatste volume van de reeks toont een veel complexer begrip van die dichotomie, en wijst op de relaties tussen de mediterrane cultuur en n\u0026eacute;gritude. In zijn tekst \u003cem\u003eGr\u0026egrave;ce antique et N\u0026eacute;gritude\u003c/em\u003e (Het antieke Griekenland en n\u0026eacute;gritude) beweert Senghor dat mediterrane mensen tot 20 procent zwart bloed hebben. Verwijzend naar de prehistorie en in het bijzonder naar talrijke archeologische en etnologische ontdekkingen die in de twintigste eeuw werden gedaan, stelt hij dat de Griekse beschaving en het zogenaamde \u0026#39;Griekse wonder\u0026#39; het resultaat waren van een biologische, en nog belangrijker, een culturele \u0026lsquo;m\u0026eacute;tissage\u0026rsquo; (hybridisering). Senghors begrip van de tweedeling van emotie en rede bouwt verder op Nietzsche \u0026ndash; en diens idee van het apollinische en het dionysische als twee tegengestelde, maar even belangrijke, creatieve krachten. Een directe verwijzing naar Nietzsches stelling van een terugkeer van de symbiose tussen apollinische en dionysische geest is ook te vinden in de centrale tekst die het boek zijn ondertitel verleende: \u003cem\u003eLe Dialogue des cultures\u003c/em\u003e (De dialoog van de culturen). Senghor zag de waarden van n\u0026eacute;gritude als een hoeksteen voor de opbouw van een universele beschaving, wat voor alle rassen het gemeenschappelijke doel zou zijn.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}